{"title":"维尔科斯海寂静中不可能的爱和皮埃尔-布特龙的同名电影","authors":"Monica Alina Toma","doi":"10.24818/syn/2023/19/2.04","DOIUrl":null,"url":null,"abstract":"Over the years, numerous studies have explored the interesting film adaptation of Vercors’s short story \"Le Silence de la Mer\" by Melville (1949), but few articles have taken into consideration the new, intriguing adaptation of this famous writing by Pierre Boutron (2004). This article aims to explore the theme of love between enemies in the visions of Vercors and Boutron, starting from the theories of impossible love articulated by Albert Farchadi.","PeriodicalId":38079,"journal":{"name":"Synergy","volume":"88 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"L’AMOUR IMPOSSIBLE DANS LE SILENCE DE LA MER DE VERCORS ET DANS LE FILM HOMONYME DE PIERRE BOUTRON\",\"authors\":\"Monica Alina Toma\",\"doi\":\"10.24818/syn/2023/19/2.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Over the years, numerous studies have explored the interesting film adaptation of Vercors’s short story \\\"Le Silence de la Mer\\\" by Melville (1949), but few articles have taken into consideration the new, intriguing adaptation of this famous writing by Pierre Boutron (2004). This article aims to explore the theme of love between enemies in the visions of Vercors and Boutron, starting from the theories of impossible love articulated by Albert Farchadi.\",\"PeriodicalId\":38079,\"journal\":{\"name\":\"Synergy\",\"volume\":\"88 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-01-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Synergy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24818/syn/2023/19/2.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Medicine\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Synergy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24818/syn/2023/19/2.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Medicine","Score":null,"Total":0}
L’AMOUR IMPOSSIBLE DANS LE SILENCE DE LA MER DE VERCORS ET DANS LE FILM HOMONYME DE PIERRE BOUTRON
Over the years, numerous studies have explored the interesting film adaptation of Vercors’s short story "Le Silence de la Mer" by Melville (1949), but few articles have taken into consideration the new, intriguing adaptation of this famous writing by Pierre Boutron (2004). This article aims to explore the theme of love between enemies in the visions of Vercors and Boutron, starting from the theories of impossible love articulated by Albert Farchadi.