"我接下来要让小伙伴们上台了":混音带方法论与黑人男子的大学经历图谱

IF 1.9 Q2 EDUCATION & EDUCATIONAL RESEARCH
Donovan Livingston
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引用次数: 0

摘要

近年来,许多研究试图探索高等教育中历史上被边缘化的人群的经历,尤其是黑人男性。虽然大多数研究都扩展了关于黑人男性在高等教育中的经历的讨论,但很少有研究采用基于艺术的方法,以独特的方式表达黑人男性的文化情感。本研究通过以艺术为基础的嘻哈教学视角,对传统的定性方法进行了重新混合,邀请参与者根据与原创研究问题相关的提示,创作并录制原创音乐:由受过大学教育的黑人男性嘻哈歌手创作的嘻哈混音带揭示了黑人男性在高等教育中的哪些经历?这些经过精心策划的歌曲共同组成了一盘混音带,可在多个流媒体平台上播放,向学院以外的受众介绍黑人男性嘻哈歌手的反叙述。由此产生的混音带为教育工作者彻底改变以文化知识为中心的方式提供了实际意义,这种方式可以收集数据,捕捉边缘化学生在学校内(外)经历的细微差别。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“I’ma put the lil homies on next”: mixtape methodology and mapping Black men’s college experiences
In recent years, many studies have attempted to explore the experiences of historically marginalized populations within higher education; especially Black men. While most studies expand the discourse about the Black male experience in higher education, few incorporate arts-based methodologies that uniquely speak to the cultural sensibilities of Black men. This study remixes traditional qualitative methodologies through an arts-informed, hip-hop pedagogical perspective by inviting participants to write and record original music in response to a prompt related to an original research question: What does the creation of a Hip-Hop mixtape by Black, male, college-educated emcees, reveal about Black men’s experiences in higher education? Together, this curated collection of songs formed a mixtape, which was made available across multiple streaming platforms, and introducing the counternarratives of Black male hip-hop collegians to audiences beyond the academy. The resulting mixtape offers practical implications for revolutionizing the way educators’ may center cultural knowledge as means of collecting data that captures the nuance of marginalized students’ experiences within (and beyond) the context of school.
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来源期刊
Frontiers in Education
Frontiers in Education Social Sciences-Education
CiteScore
2.90
自引率
8.70%
发文量
887
审稿时长
14 weeks
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