创作道德与自传体小说:希拉-赫蒂的《一个人应该怎样?

David Hadar
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摘要

摘要:2010年代自小说的兴起,可以部分地解释为这一文体反映了当代的工作伦理,特别是它要求将个人生活作为人们工作的一部分。读者可以从自小说作家利用自己的经验进行写作的方式中认识到他们利用生活进行工作的倾向。本文认为,希拉-赫蒂(Sheila Heti)的《一个人应该怎样》(2010 年)是当代自传小说的主要范例之一,该书在雇主对员工的期望越来越高的背景下,探讨了将生活用于工作的理念。起初,社会参与和写作在争夺主人公的注意力。后来,通过与画家玛尔戈建立友谊并录制他们的对话,生活变成了写作的资源。希拉希望与朋友的新关系,通过录音的中介和保存,能够挽救她的写作计划。这不仅仅是说生活是写作的灵感源泉,而是说生活积极地为写作做出了贡献,为我们正在阅读的小说提供了文本。随着小说的发展,这一新安排出现了问题,我们不得不质疑将个人关系从属于工作的可行性。在小说的结尾,工作与生活之间达成了暂时的休战,这种休战可能会让读者感到满意,但并没有颠覆当代的工作伦理。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Creative Work Ethic and Autofiction: Sheila Heti’s How Should a Person Be?
Abstract: The rise of autofiction in the 2010s can be partially explained by the genre’s reflection of the contemporary work ethic, specifically its demand to use personal life as part of people’s work. Readers can recognize their tendency to use life for work in the way autofiction writers utilize their experience to write. This paper argues that Sheila Heti’s How Should a Person Be? (2010), one of the primary examples of contemporary autofiction, deals with the idea of using life for work in the context of the increased expectation of employers that their workers do so. At first, social engagement and writing are presented as competing for the protagonist’s attention. Then through the development of her friendship with the painter Margaux and tape-recording their conversation, life turns into a resource for writing. Sheila hopes that the new relationship with a friend, mediated and preserved through recordings, will save her writing project. It is not just that life is an inspiration for writing, but that it actively contributes to work by providing a text that will be part of the novel we are reading. Then as the novel progresses, problems with this new arrangement come up, and we are asked to question the viability of subordinating personal relationships to work. By its end, a temporary truce between work and life is presented, one that may be satisfying to readers but does not subvert the contemporary work ethic.
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