安娜-阿赫玛托娃诗歌文本中的天体象征:月亮象征

G. O. Papsheva, N. V. Golubtsova, O. N. Matveeva
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引用次数: 0

摘要

文章从白银时代 "宇宙论 "功能原创性的角度出发,通过对天体的直接名称和次要名称("月"、"月光")的复杂描述,揭示了阿-阿赫玛托娃诗歌中月亮象征意义的主要功能。考虑到文化和作者个人的特殊性,对主要语义组进行了挑拣,揭示了天体的直接("月亮"、"月")和语义相关("夜光"、"月光")构造的特殊性,再现了作为抒情主人公情感中继站的作者个人的 "心理景观 "概念。作为民族世界图景纯粹重要组成部分的天体光辉形象,以及道德和诗歌态度体系得到了证实。在阿克梅主义的代表人物安娜-阿赫玛托娃的作品中,天体的提名被解释为传统世界观与诗歌世界观的相互关系。该假设认为,日月图像是安娜-阿赫玛托娃诗歌中不可或缺的一部分,是 "心理学 "的重要元素。阿赫玛托娃是 "心理景观 "的重要元素,是对历史背景的隐喻性理解。同时,"月亮 "这一意象在多个主题组中被解读为概念和语义的统一体,并以多种词汇单位为代表。对相似和相反的方面进行了比较分析,确定了夜间发光体的形状(新月、圆盘)和颜色(绿色、粉色、银色)对神话表述的阐释的影响,证实了作者个人在阐释消极的月球空间、现实世界和其他世界的相互关系时所持的观念,以及夜间发生的事情的幽灵性和虚幻性的观念。安娜-阿赫玛托娃的诗歌将 "月亮 "作为神秘的另一个世界的末日象征,对其进行了独特的神话诠释。对诗歌文本中提及 "月亮 "概念的次数进行了统计。阿赫玛托娃的诗歌探索了 "月亮 "概念的个人含义,包括将其作为背景景观和创造力的象征。这表明,在建立艺术模型方面,进一步观察安娜-阿赫玛托娃作品中对天体发光体和其他宇宙天体的解释是富有成效的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Symbolism of celestial bodies in the poetic text of Anna Akhmatova: moon symbols
The article reveals the main functions of the symbolism of the moon in the poetry of A. Akhmatova by means of a complex description of direct and secondary (month, moonbeam) names of celestial bodies from the standpoint of functional originality of "cosmism" that existed in the era of Silver Age. The main semantic groups are singled out taking into account cultural and individual-author specificity, the specificity of direct ("moon", "month") and semantically related ("night light", "moon ray") construct of the celestial body are revealed, the individual-author concept of "psychological landscape" acting as a relay of emotions of the lyrical hero is reproduced. The images of celestial luminaries as a purely important component of the national picture of the world, as well as the system of moral and poetic attitudes are substantiating. The nomination of celestial bodies interpret as an interrelation of traditional and poetic perception of the worldview, realised in the works of Anna Akhmatova, a representative of Acmeism. The hypothesis introduces that solar-lunar images are an integral part of Anna Akhmatova's poetry, an important element of "psychology". Akhmatova, an important element of "psychological landscape", metaphorical comprehension of the historical context. Meanwhile, the image of "moon" that is read as a conceptual and semantic unity in several thematic groups and represented by a wide range of lexical units. A comparative analysis of similar and opposite aspects is carried out, the influence of the shape (crescent, disk) and color (green, pink, silver) of the night luminary on the interpretation of mythopoetic representations is determined, individual author's concepts in the interpretation of the negative lunar space, the interrelation of the real and otherworld are substantiated, the idea of ghostliness and illusory nature of what happens at night is actualised. The poetry of Anna Akhmatova distinguishes individual mythopoetic interpretations of the “moon” as an apocalyptic symbol of the mystical otherworldly nature. The statistics of references to the concept "moon" in the poetic text is given. Akhmatova's poetry explores the personal meanings of the concept 'moon', which include it as a background landscape and a symbol of creativity. It says about the fruitfulness of further observations on the interpretation of celestial luminaries and other cosmic objects in Anna Akhmatova's work in the aspect of building an artistic model.
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