{"title":"当代法国和法语国家思想中的中国古典艺术","authors":"Weiwei Xiang","doi":"10.1080/17409292.2024.2272520","DOIUrl":null,"url":null,"abstract":"Abstract Chinese art, in particular literati calligraphy and painting in the Chinese classical period, is an important object of reflection and imagination for contemporary French and Francophone theorists. Focusing on the interpretation of Chinese art among these theorists, this article will first examine how Chinese classical painting and calligraphy entered the French theoretical horizon of the twentieth century; secondly, it will try to make a synthesis of some emblematic theorists concerned (Henri Michaux, Hubert Damisch, Jacques Maritain, Jean-François Billeter, François Jullien, François Cheng) and their theoretical works related to Chinese classical art, in order to draw some main lines and orientations on the history of the approaches of Chinese classical art in the West; finally, it will attempt to propose the perspective, intercultural and intermedia, to analyze the dialogue between the French and Francophone contemporary thought and the Chinese pictorial and calligraphic classical art.","PeriodicalId":10546,"journal":{"name":"Contemporary French and Francophone Studies","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"L’art classique chinois dans la pensée française et francophone contemporaine\",\"authors\":\"Weiwei Xiang\",\"doi\":\"10.1080/17409292.2024.2272520\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Chinese art, in particular literati calligraphy and painting in the Chinese classical period, is an important object of reflection and imagination for contemporary French and Francophone theorists. Focusing on the interpretation of Chinese art among these theorists, this article will first examine how Chinese classical painting and calligraphy entered the French theoretical horizon of the twentieth century; secondly, it will try to make a synthesis of some emblematic theorists concerned (Henri Michaux, Hubert Damisch, Jacques Maritain, Jean-François Billeter, François Jullien, François Cheng) and their theoretical works related to Chinese classical art, in order to draw some main lines and orientations on the history of the approaches of Chinese classical art in the West; finally, it will attempt to propose the perspective, intercultural and intermedia, to analyze the dialogue between the French and Francophone contemporary thought and the Chinese pictorial and calligraphic classical art.\",\"PeriodicalId\":10546,\"journal\":{\"name\":\"Contemporary French and Francophone Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary French and Francophone Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17409292.2024.2272520\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary French and Francophone Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17409292.2024.2272520","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
L’art classique chinois dans la pensée française et francophone contemporaine
Abstract Chinese art, in particular literati calligraphy and painting in the Chinese classical period, is an important object of reflection and imagination for contemporary French and Francophone theorists. Focusing on the interpretation of Chinese art among these theorists, this article will first examine how Chinese classical painting and calligraphy entered the French theoretical horizon of the twentieth century; secondly, it will try to make a synthesis of some emblematic theorists concerned (Henri Michaux, Hubert Damisch, Jacques Maritain, Jean-François Billeter, François Jullien, François Cheng) and their theoretical works related to Chinese classical art, in order to draw some main lines and orientations on the history of the approaches of Chinese classical art in the West; finally, it will attempt to propose the perspective, intercultural and intermedia, to analyze the dialogue between the French and Francophone contemporary thought and the Chinese pictorial and calligraphic classical art.
期刊介绍:
An established journal of reference inviting all critical approaches on the latest debates and issues in the field, Contemporary French & Francophone Studies (formerly known as SITES) provides a forum not only for academics, but for novelists, poets, artists, journalists, and filmmakers as well. In addition to its focus on French and Francophone studies, one of the journal"s primary objectives is to reflect the interdisciplinary direction taken by the field and by the humanities and the arts in general. CF&FS is published five times per year, with four issues devoted to particular themes, and a fifth issue, “The Open Issue” welcoming non-thematic contributions.