40 年后南斯拉夫新浪潮的文化表征

Marija Ajduk
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引用次数: 0

摘要

本研究致力于分析过去十年(至 2020 年代)南斯拉夫对新浪潮(音乐运动)的文化认 识。通过回忆和怀旧叙事,纪念特定的周年纪念活动会产生多种意义。受本内特和罗杰斯在《流行音乐场景与记忆文化》(2016)中关于流行音乐创作和消费中 "记忆爆发 "的理论见解的启发,研究的主要目的是探索新浪潮的叙事目前是如何构建的。通过分析前南斯拉夫在过去十年中围绕新浪潮组织的各种活动,本研究旨在确定对这一现象的文化认知,并突出其反复出现的关键要素。所分析的每项活动都得到了媒体的报道,因此网络资源成为本研究的肥沃资源库。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cultural Representations of the New Wave in Yugoslavia 40 Years Later
This study is dedicated to the analysis of cultural perceptions of the New Wave (musical movement) within the Yugoslav context in the past decade (up to the 2020s). The observance of a particular anniversary brings forth a multitude of meanings ascribed to the event through recollections and nostalgic narratives. Inspired by Bennett and Rogers' theoretical insights in "Popular Music Scenes and Culture of Memory" (2016) regarding "memory bursts" in creating and consuming popular music, the primary objective was to explore how the narrative of the New Wave is currently constructed. Through an analysis of various events organized in the former Yugoslavia over the past decade, revolving around the New Wave, this study aims to identify cultural perceptions of this phenomenon as well as to highlight its recurring and repetitive key elements. Each analyzed event received media coverage, thus making online sources a fertile resource base for this research.
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