{"title":"关于克罗诺斯加尔巴采夫斯基阅读冈布罗维茨","authors":"Judyta Pogonowicz","doi":"10.14746/pt.2023.39.13","DOIUrl":null,"url":null,"abstract":"The article presents the performance Kronos, directed by Krzysztof Garbaczewski in 2013. The performance was an immediate reaction to the extremely intimate work of art written by Witold Gombrowicz. Garbaczewski is involved in reading and staging Gombrowicz’s work since 2008. The article highlights how the creative method presented in Kronos is portrayed by actors during the performance. Moreover, the author shows the phenomenon of poetry epiphany in the play, the coexistence of corporeality and the mind, the processes of tabooisation of the body and mediatization in the play. The author points to common points in the works of Gombrowicz and Garbaczewski. She also draws attention to how the writer’s authority is invoked, a process through which the director legitimises the theatrical exploration.","PeriodicalId":37837,"journal":{"name":"Przestrzenie Teorii","volume":"93 4","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"O Kronosach. Garbaczewski rozczytuje Gombrowicza\",\"authors\":\"Judyta Pogonowicz\",\"doi\":\"10.14746/pt.2023.39.13\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article presents the performance Kronos, directed by Krzysztof Garbaczewski in 2013. The performance was an immediate reaction to the extremely intimate work of art written by Witold Gombrowicz. Garbaczewski is involved in reading and staging Gombrowicz’s work since 2008. The article highlights how the creative method presented in Kronos is portrayed by actors during the performance. Moreover, the author shows the phenomenon of poetry epiphany in the play, the coexistence of corporeality and the mind, the processes of tabooisation of the body and mediatization in the play. The author points to common points in the works of Gombrowicz and Garbaczewski. She also draws attention to how the writer’s authority is invoked, a process through which the director legitimises the theatrical exploration.\",\"PeriodicalId\":37837,\"journal\":{\"name\":\"Przestrzenie Teorii\",\"volume\":\"93 4\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-01-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Przestrzenie Teorii\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14746/pt.2023.39.13\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Przestrzenie Teorii","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14746/pt.2023.39.13","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
The article presents the performance Kronos, directed by Krzysztof Garbaczewski in 2013. The performance was an immediate reaction to the extremely intimate work of art written by Witold Gombrowicz. Garbaczewski is involved in reading and staging Gombrowicz’s work since 2008. The article highlights how the creative method presented in Kronos is portrayed by actors during the performance. Moreover, the author shows the phenomenon of poetry epiphany in the play, the coexistence of corporeality and the mind, the processes of tabooisation of the body and mediatization in the play. The author points to common points in the works of Gombrowicz and Garbaczewski. She also draws attention to how the writer’s authority is invoked, a process through which the director legitimises the theatrical exploration.
期刊介绍:
“Przestrzenie Teorii” is a theoretical and literary journal of scholarly criticism. The journal is peer-reviewed and reflects the research interests of authors from across a wide range of universities in Poland, as well as presents translations of texts of distinguished foreign theoreticians in literature. The journal undertakes to present key and essential problems in the contemporary criticism and theory of literature, and provides a platform for a transdisciplinary dialogue. The published texts, presented in diversified methodological approach, address both aesthetical and poetical problems in different areas of research, encompassing theatre and film, but also drama and art (in particular, visual and performative art forms). The journal is characterized by its interdiciplinary approach, participates in the present-day scholarly discourse in the philosophy of science and attempts to effect its policy of fostering the polyphonic form of literary studies in drama. “Przestrzenie Teorii” is published semi-annually.