末世法国的《愤怒》与漫画艺术的意义

Andrew Kotick
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引用次数: 0

摘要

作为法国最重要的讽刺和插图报刊,《Le Rire》周刊在 19 世纪最后十年吸引了广大读者。在商业娱乐和大众传媒的十字路口,《愤怒》力图将漫画和插图作为值得认真对待的艺术形式,并使幽默成为政治、文化和社会评论的有力工具。本文旨在评估该期刊在其所处时代的影响,并进一步论证《Le Rire》在重塑公众对喜剧和讽刺的态度方面起到了决定性的作用,它将十九世纪法国漫画史发展的遗产带入了二十世纪之交新颖的表达和消费模式中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Le Rire and the Meaning of Cartoon Art in Fin-de-Siècle France
As the foremost organ of the French satirical and illustrated press, the weekly Le Rire captivated a broad reading public in the final decade of the nineteenth century. At the crossroads of commercial entertainment and mass media, Le Rire sought to champion caricature and comic illustration as art forms worthy of serious merit and to make humor a powerful tool for political, cultural, and social commentary. This article aims to assess the periodical's impact in its time, and furthermore, contends that Le Rire was a determinative force in reshaping public mores toward comedy and satire, carrying the legacy of nineteenth-century developments in the history of French caricature into novel modes of expression and consumption at the turn of the twentieth.
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