痛苦与收获:在 Paula Vogel 的《我是如何学会开车的》中实现童年创伤的康复

Sarah Salah, Mona Wahsh
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引用次数: 0

摘要

当儿童受到虐待时,他们在人生最关键的时期受到了创伤,而在这个时期,他们的人格仍在发展。因此,他们在成年后仍会受到一些问题的困扰。相反,在成年期发生的创伤会影响已经形成的人格(Herman,1992 年,第 96 页)。本文旨在根据朱迪斯-赫尔曼(Judith Herman)在其著作《创伤与康复》(1992 年)中的观点,研究 Paula Vogel 的戏剧《我是如何学会开车的》(1997 年)中童年受虐待的长期后果。本研究探讨了赫尔曼提出的剧中人物所患的两种心理障碍:创伤后应激障碍(PTSD)和复杂创伤后应激障碍(c-PTSD)。此外,它还介绍了李比特所经历的不同类型的虐待,以及使她更容易受到虐待的风险因素。此外,它还展示了创伤是如何代代相传的。论文进一步探究了李比特与佩克叔叔之间关系的复杂性,阐述了她与佩克叔叔相识的心理动机。最后,本文阐述了李比特作为该剧的主角和童年创伤的主要受害者的自我发现之旅。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Pain and Gain: Achieving Recovery from Childhood Trauma in Paula Vogel’s How I Learned to Drive
When children are abused, they are traumatized at the most crucial period of their lives in which their personality is still developing. Consequently, they suffer from several problems that continue to plague them into their adulthood. On the contrary, the trauma that happens during adulthood affects the personality that is already formed (Herman,1992, p.96). This paper aims to investigate the long-term consequences of childhood abuse in Paula Vogel’s play How I Learned to Drive (1997) based on Judith Herman’s views in her book Trauma and Recovery (1992). It examines two psychological disorders proposed by Herman that the characters suffer from: post-traumatic stress disorder (PTSD) and complex post-traumatic stress disorder (c-PTSD). Additionally, it introduces the different types of abuse Li’l Bit experiences and the risk factors that make her more vulnerable to abuse. Moreover, it shows how trauma can be transferred from one generation to another. It further investigates the complicated nature of the relationship between Li’l Bit and Uncle Peck, elaborating her psychological motives behind meeting him. Finally, the paper elaborates Li’l Bit’s journey of self-discovery being the play’s protagonist and main victim of childhood trauma.
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