十九世纪欧洲作家文学作品中的东方世界形象

Marine Sioridze
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摘要

对东方世界的兴趣由来已久。早在中世纪十字军东征期间,西方与东方之间的差异就已昭然若揭。中世纪的杰出人物之一雅克-德-维特里是第五次十字军东征的参与者和目击者,他在其最重要的著作《东方史》或《耶路撒冷史》中描述了这一历史事件,证实了中世纪东西方世界之间的尖锐差异,应该对此进行研究,它在欧洲历史学中有着悠久的传统。西方和东方的问题是许多科学研究的主题,至今仍具有现实意义。 东方主题在欧洲作家的作品中一直占据着特殊的地位。基于研究主题的相关性,我们确定了研究 19 世纪欧洲作家文学文本的任务。作为研究材料,我们选择了夏多布里昂、拉马丁、奈瓦尔、戈蒂埃、莫泊桑、歌德、拜伦、雪莱、莫尔和福楼拜以东方为主题的作品。此外,我们的任务是揭示和强调欧洲作家创作的旅行文学的异同,展示西方作家眼中的东方。 本研究基于比较分析和意象学的基本原则进行。意象学是一个相对较新的人道主义研究领域,研究这个或那个国家、民族的公众或文化意识中 "外国人"、"他者 "的面貌。比较文学对意象研究很感兴趣。文学意象学有其特定的目标。它是关于面孔的学说,是关于在艺术文本中呈现的不同民族、不同文化的实体面孔的学说。 我们研究的目的是揭示西方文学文本中的文化标记。在以 "他者"、"异域 "民族为主题的文学文本中,比较文学研究的意象学特征得到了最明显的体现。最终,这种研究方法将成为研究东方题材作品过程中的一种创新。此外,我们的目标是研究西方文学中作为文化空间的东方意象,因为任何专门描写 "他者 "民族的生活、文明、文化、传统、习俗、信仰和代表的文本都是在 "他者 "民族的领土上发生的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Representation of the oriental world in the literary texts of XIX century European writers
Interest in the Eastern world has a long history. Back in the middle Ages, during the Crusades, the differences between the West and the East became clear. One of the outstanding figures of the Middle Ages, Jacques de Vitry, a participant and eyewitness of the Fifth Crusade, who described the historical events in his most important work “History of the East” or “History of Jerusalem”, confirms the sharp differences between the Eastern and Western worlds in the Middle Ages, which should be studied, it has a long tradition in European historiography. The problems of the West and the East are the subject of many scientific studies and are still relevant today. The theme of the East has always occupied a special place in the works of European writers. Based on the relevance of the researchtopic, we set the task of studying the literary texts of the 19th century European writers. As research material, we selected the works of Chateaubriand, Lamartine, Nerval, Gautier, Maupassant, Goethe, Byron, Shelley, Moore and Flaubert on the theme of the East. Also, our task is to reveal and emphasize similarities and differences in travel literature created by European writers, to show the East seen through the eyes of Western authors. The present study is conducted based on the basic principles of comparative analysis and imagology. Imagology is a relatively new field of humanitarian research, which studies the face of the “foreigner”, “other” in the public or cultural consciousness of this or that country, ethnos. Comparative literature is interested in imagological studies. Literary imagology has its specific goals. It is adoctrine about faces, about those solid faces of ethnically, culturally different peoples that are presented in artistic texts. The purpose of our research is to reveal cultural markers in Western literary texts. The imagological aspects of comparative literary studies are most clearly revealed in the literary texts created on the theme of the “other”, “foreign” nation. In the end, this kind ofapproach will be a kind of novelty in the process of researching works on the subject of the East. Also, our goal is to study the imagology of the East as a cultural space in Western literature, since any text dedicated to the life, civilization, culture, traditions, customs, beliefs, representative of a “other” nation and The action takes place on the territory of “another” nation.
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