作为灵感的直接环境:诺西亚-加帕尔《朋阿布迪安》中宗教话语的符号学分析

N. Noorashid
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引用次数: 0

摘要

本文分析了马来小说《Pengabdian》中的符号学元素,该小说出版于 1987 年,作者是 2009 年东南亚文学奖得主、文莱作家诺西亚-加帕尔(Norsiah Gapar)。Pengabdian 中突出了与伊斯兰原则和价值观有关的三大符号学主题:对真主的顺从、对世俗事务的态度以及伊斯兰教中的权利和财产问题。除了在小说中加入明确的说教话语外,还突出了符号学元素,以支持向读者宣传伊斯兰教。符号学符号与说教话语并存,符合伊斯兰教 "阿玛尔-马鲁夫-纳希-阿尼尔-蒙卡尔"(嘱善禁恶)的要求,这篇文章提升了《彭加布迪安》作为伊斯兰文学作品的潜力。它为读者从语言文学的角度欣赏《彭加布店》提供了一种新的方式,同时也为进一步研究这部广受赞誉的小说提供了可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Immediate Surroundings as Inspiration: A Semiotic Analysis of Religious Discourse in Norsiah Gapar’s Pengabdian
This paper analyses semiotic elements in Pengabdian, a Malay novel published in 1987 and written by the 2009 SEA award winning Bruneian writer, Norsiah Gapar. Three main themes of semiotics in relation to Islamic principles and values are highlighted in Pengabdian: submission to God, attitudes towards worldly affairs, and the issue of rights and possessions in Islam. Besides the inclusion of explicit sermonic discourse in the novel, semiotic elements are foregrounded to support the edification of Islam to the readers. Following the co-existence of semiotic symbols and sermonic discourse, which is in line with the Islamic requisite of Amar Ma’ruf wa Nahi anil Munkar (enjoining good and forbidding wrong), this essay raises the potential of Pengabdian as a piece of Islamic literature. It offers readers a new way to appreciate Pengabdian from a linguistic-literary perspective, as it also suggests the possibility of undertaking further studies on this acclaimed novel.
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