将乌托邦描绘成文艺复兴时期的封闭花园

IF 0.4 4区 社会学 N/A HUMANITIES, MULTIDISCIPLINARY
Chun Liang Lin, Mark Hansley Chua
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引用次数: 0

摘要

摘要:本文介绍了之前绘制托马斯-莫尔《乌托邦》一书中虚构岛屿乌托邦地图的尝试,并提出了另一种可能性,其假设基础是乌托邦是人工岛上的一个封闭花园,该岛并非平坦,而是具有 2.5:1 的山坡。我们的绘图实验基于文艺复兴时期对野生自然的驯化与莫尔封闭花园中人类文明的类比,以及印加帝国与乌托邦之间的轶事相似性。这种方法不仅符合岛屿的尺寸规格,而这些规格由于与数学不相容而阻碍了以往的绘图尝试,而且还解决了以往绘图工作中没有考虑到的乌托邦生活的教育能力问题。因此,乌托邦应被理解为一系列表演性的空间安排,在这些空间安排中,物理和地理规格将为居民的乡土生活提供自我提升的方向。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mapping Utopia as an Enclosed Renaissance Garden
abstract:This article presents previous attempts to map Utopia, a fictional island in the book Utopia by Thomas More, and proposes another possibility, based on the assumption that Utopia is an enclosed garden on an artificial island that is not flat, but has piedmont slopes of 2.5:1. Our mapping experiment is founded on the Renaissance analogy between the domestication of wild nature, and the civilization of the human beings in More’s enclosed garden; and on the anecdotal similarities between the Inca Empire and Utopia. This approach is not only consistent with the island’s dimensional specifications, which have hampered previous mapping attempts due to their mathematical incompatibility, but it also addresses the educative capacity of utopian life not considered by previous mapping efforts. Utopia, as a result, is to be understood as a series of performative spatial arrangements where the physical and geographical specifications would inform the vernacular life of its inhabitants in the direction of self-enhancement.
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来源期刊
Utopian Studies
Utopian Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
27
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