{"title":"论语用学和叙事学中的反乌托邦主义","authors":"Darko Suvin","doi":"10.5325/utopianstudies.34.2.0292","DOIUrl":null,"url":null,"abstract":"abstract:This article refurbishes the view of antiutopianism as the ruling orthodoxy of late-capitalist common sense (pragmatics) and writings plus media (narrative). After a half-century descent into a contemporary neofeudalism (Fascism 2.0), the operation of totalized antiutopianism on utopian narrative genres is powerfully evident in the TV series Game of Thrones, a rigidly Social Darwinist fantasy world, reveling in mass slaughters and presupposing neofeudalism: a black fable for lesioned personalities.","PeriodicalId":44751,"journal":{"name":"Utopian Studies","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On Antiutopianism in Pragmatics and Narrative\",\"authors\":\"Darko Suvin\",\"doi\":\"10.5325/utopianstudies.34.2.0292\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:This article refurbishes the view of antiutopianism as the ruling orthodoxy of late-capitalist common sense (pragmatics) and writings plus media (narrative). After a half-century descent into a contemporary neofeudalism (Fascism 2.0), the operation of totalized antiutopianism on utopian narrative genres is powerfully evident in the TV series Game of Thrones, a rigidly Social Darwinist fantasy world, reveling in mass slaughters and presupposing neofeudalism: a black fable for lesioned personalities.\",\"PeriodicalId\":44751,\"journal\":{\"name\":\"Utopian Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Utopian Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/utopianstudies.34.2.0292\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Utopian Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/utopianstudies.34.2.0292","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
摘要:本文翻新了反乌托邦主义作为晚期资本主义常识（实用主义）和著作加媒体（叙事）的统治正统的观点。在陷入当代新封建主义（法西斯主义 2.0）半个世纪之后，全面反乌托邦主义对乌托邦叙事流派的影响在电视剧《权力的游戏》（Game of Thrones）中得到了有力的体现，该剧是一个僵化的社会达尔文主义幻想世界，以大规模屠杀为乐，并预设了新封建主义：一个针对病态人格的黑色寓言。
abstract:This article refurbishes the view of antiutopianism as the ruling orthodoxy of late-capitalist common sense (pragmatics) and writings plus media (narrative). After a half-century descent into a contemporary neofeudalism (Fascism 2.0), the operation of totalized antiutopianism on utopian narrative genres is powerfully evident in the TV series Game of Thrones, a rigidly Social Darwinist fantasy world, reveling in mass slaughters and presupposing neofeudalism: a black fable for lesioned personalities.
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