“Sing and make music to the Lord”: cultural difference in South Africa’s urban religious soundscapes

Scholars of contemporary Christianity have long noted the importance of sacred music in constructing faith communities and distinguishing religious actors from one another. Drawing on historical and ethnographic evidence gathered over 16 months in Johannesburg, South Africa, I examine the role of music in contributing to the Christian identity of conservative evangelicals and in mediating their relationship with religious others. For the interdenominational, multiracial network of conservative Christians with whom I worked, music sung during weekly church services was carefully curated to meet elders’ pastoral aims informed by the conventions of orthodox Christian theology, yet it was also a site of tension and innovation as efforts to appeal to wider demographics were implemented. The palpable contrast between this music style and that of more charismatic evangelical churches was a point of implicit social commentary, semiotically standing in for the spectre of dangerous religious difference. This ethnographic research illustrates the power of embodied, sonic “feeling” to maintain cultural boundaries in South Africa’s heterogeneous religious soundscapes.