艺术语境中的生物技术视角下的人体:不断变化的活跃实验空间

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Rafael Ortiz Martinez de Carnero
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引用次数: 0

摘要

在过去的三十年中,围绕人体与技术和机器的新概念的兴起导致了新艺术实践的发展,与此同时,生物学、医学和计算机领域的技术进步也在不断发展。本文探讨了艺术语境中的人体,在这些语境中,生物技术在围绕人体主题产生新概念方面发挥了相关作用。因此,在社会和文化领域以及技术术语的重新语境中,人体将通过使用从整形外科到机器人假肢等技术进步而被重新设计、改造或增强。人体是我们与环境直接互动的载体。对人体的改造、改变或扩展意味着重新定义我们的身体与环境之间的现有界限。这不仅是物理意义上的,也是形而上学和社会意义上的。因此,引入的艺术家和策略模糊了这些界限,并通过作为物理和社会实体的身体建立了新的关系。在寻找远远超越社会文化和自然限制的新界限时,他们将达到新的社会、感知和概念状态,远远超越审美实践,侧重于引发政治和社会辩论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation
Over the last three decades, the rise of new conceptualizations around the human body in connection with technology and machines has led to the development of new art practices in parallel with technological advances in the fields of biology, medicine and computing. This paper examines the human body in art contexts where biotechnology plays a relevant role in the generation of new conceptualizations around the human body topic. Thus, re-contextualized in social and cultural spheres and technical terms, the body will become redesigned, revamped, or augmented through the use of technological advances ranging from plastic surgery to robotic prosthetics. The human body is our vehicle of direct interaction with the environment. Its modification, alteration or expansion implies a redefinition of the existing limits between our corporality and the environment itself. Not only in the physical sense, but metaphysical and social. Hence, the introduced artists and strategies blur these limits and establish new relations through the body as a physical and social entity. In the search of new boundaries far beyond socio-cultural and natural limitations, they will reach new social, perceptual and conceptual statuses, far beyond aesthetic practices, focusing on the generation of political and social debates.
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来源期刊
Artnodes
Artnodes HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
0.00%
发文量
26
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