巴西早期的弥尔顿跨语言翻译家

IF 0.1 0 LITERARY THEORY & CRITICISM
Luiz Fernando Ferreira Sá, Miriam Piedade Mansur Andrade
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引用次数: 0

摘要

本文提供了 18 世纪巴西诗人克劳迪奥-曼努埃尔-达-科斯塔(Claudio Manuel da Costa)的一首颂歌(《致弥尔顿》,共十二节)的注释英译。我们对这首翻译诗的解释提出了一个问题,即达-科斯塔并没有翻译弥尔顿的作品,而是对弥尔顿对整个文学的贡献进行了跨语义翻译。"致弥尔顿》集中并扩展了与《失乐园》相关的主题(地狱与天堂、天上的缪斯与人间的荣耀、内战与史诗般的战斗)。虽然当时还没有将弥尔顿的作品翻译成巴西葡萄牙语的译本,但这首颂歌说明了跨语际翻译的原则,通过这些原则,达-科斯塔选择邀请弥尔顿参与新生的文学传统,并将弥尔顿作为可与卡蒙斯和托夸托-塔索相媲美的作家,从而实现了语义的扩展。此外,我们还探讨了以下问题:注释译本揭示了弥尔顿诗歌中哪些不易察觉或辨认的内容?将弥尔顿引入 18 世纪巴西葡萄牙语的目的是什么? 密尔顿是如何融入 18 世纪的巴西的?这个新环境在前景上或实际上与密尔顿有什么不同?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An early intersemiotic translator of Milton in Brazil
This article provides the commented English translation of an ode (“To Milton”, composed of twelve stanzas) by the 18th-century Brazilian poet, Claudio Manuel da Costa. Our interpretation of the translated poem problematizes the fact that da Costa did not translate Milton’s works, but that he wrote an intersemiotic translation of Milton’s contributions to literature as a whole. “To Milton” concentrates and expands on themes related to Paradise Lost (hell and heaven, heavenly muses and earthly glory, civil wars and epic battles). Although there were no translations of Milton’s works into Brazilian Portuguese then, the ode illustrates the principles of intersemiotic translation, through which semantic expansions occur in the exercise of da Costa’s choices to invite Milton to participate in a nascent literary tradition; he approaches Milton as an author comparable to Camões and Torquato Tasso. Furthermore, we address the following questions: what does the commented translation reveal about Milton’s poetry that has not been as readily visible or legible? What was accomplished by bringing Milton into 18th-century Brazilian Portuguese?  How is Milton accommodated to 18th-century Brazil and how is this new environment, prospectively or actually, different for having Milton in it?
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