英国摇滚乐队

Q2 Arts and Humanities
Sergio Pisfil
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引用次数: 0

摘要

20 世纪 70 年代初,英国现场音响发生了重大变化:费尔顿音响公司(Feldon Audio)等公司开始进口 JBL 等美国元器件,并改变了整个行业;演出场所开始安装能够成功放大摇滚表演的古装系统;音响公司投资百万美元改进音响技术;英国成为调音台制造的领头羊;美国的扬声器箱体设计影响了音响的新时代。尽管发生了这些关键的经济和物质变化,但在本文中,我认为 20 世纪 60 年代末,现场音响发生了同样重要的转变。音乐会音效的发展不是技术上的巨大进步,而是得益于音乐产业中的新角色:巡回演出人员。本文通过档案研究和对活跃于 20 世纪 60 年代末的英国路演人员的半结构式访谈,重点介绍了他们的实践,并将他们置于现场音响发展的中心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
British Rock Roadies
Important changes in British live sound occurred in the early 1970s: Companies such as Feldon Audio began importing US components like JBL and transformed the industry, venues started to install costume-built systems that were capable of successfully amplifying rock acts, sound companies made millionaire investments to improve sound technology, England became a leader in mixing consoles manufacturing, US speaker cabinet designs influenced a new era in sound. Despite these key economic and material changes, in this article I argue that an equally important shift in live sound occurred in the late 1960s. Instead of drastic technological improvement, concert sound developed thanks to a new actor in the music industry: roadies. Drawing from archival research and semi structured interviews to British roadies active in the late 1960s, this article focuses on their practices and puts them at the center of live sound development.
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来源期刊
IASPM Journal
IASPM Journal Arts and Humanities-Music
CiteScore
0.30
自引率
0.00%
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0
审稿时长
30 weeks
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