{"title":"一个未曾听到的声音:Zohar Tal Inbar 的画作--一位母亲眼中的士兵儿子","authors":"Shahar Marnin-Distelfeld","doi":"10.1086/726199","DOIUrl":null,"url":null,"abstract":"This study focuses on a series—Of Beautiful Arms—by Israeli artist Zohar Tal Inbar. The paintings were created a few years after the artist’s son was released from the army, diagnosed with post-traumatic stress disorder (PTSD). It includes figurative paintings, most of them focusing on the body of a young man—a soldier. The methodology combines visual analysis of the paintings with interviews with the artist. Findings have shown that the series embodies double estrangement—thematic and stylistic. The artist has used intertextuality to portray soldier images borrowed from Greek and Roman mythology and from Christianity. In terms of style, the paintings portray realistic figures against abstract backgrounds that distance them from Israeli reality while leaving them recognizable as Israeli soldiers. Using double estrangement allowed the artist to express a feminist counterposition—that of a woman refusing to passively accept the role of an uncritically supportive soldier’s mother. In addition, she has explored the soldier’s fragility by pointing to PTSD, a common phenomenon among military personnel, which in Israeli discourse still suffers a disfranchised status.","PeriodicalId":51908,"journal":{"name":"Signs and Society","volume":null,"pages":null},"PeriodicalIF":1.0000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"An Unheard Voice: The Paintings of Zohar Tal Inbar, a Mother Looking at Her Soldier Son\",\"authors\":\"Shahar Marnin-Distelfeld\",\"doi\":\"10.1086/726199\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This study focuses on a series—Of Beautiful Arms—by Israeli artist Zohar Tal Inbar. The paintings were created a few years after the artist’s son was released from the army, diagnosed with post-traumatic stress disorder (PTSD). It includes figurative paintings, most of them focusing on the body of a young man—a soldier. The methodology combines visual analysis of the paintings with interviews with the artist. Findings have shown that the series embodies double estrangement—thematic and stylistic. The artist has used intertextuality to portray soldier images borrowed from Greek and Roman mythology and from Christianity. In terms of style, the paintings portray realistic figures against abstract backgrounds that distance them from Israeli reality while leaving them recognizable as Israeli soldiers. Using double estrangement allowed the artist to express a feminist counterposition—that of a woman refusing to passively accept the role of an uncritically supportive soldier’s mother. In addition, she has explored the soldier’s fragility by pointing to PTSD, a common phenomenon among military personnel, which in Israeli discourse still suffers a disfranchised status.\",\"PeriodicalId\":51908,\"journal\":{\"name\":\"Signs and Society\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.0000,\"publicationDate\":\"2023-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Signs and Society\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1086/726199\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Signs and Society","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1086/726199","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
引用次数: 0
摘要
本研究侧重于以色列艺术家 Zohar Tal Inbar 的系列作品--《美丽的手臂》。这些画作是在艺术家的儿子被诊断出患有创伤后应激障碍(PTSD)并从部队退伍几年后创作的。作品包括具象绘画,其中大部分以一名年轻男子--士兵的身体为主题。研究方法结合了对画作的视觉分析和对艺术家的访谈。研究结果表明,该系列作品体现了主题和风格上的双重疏离。艺术家利用互文性描绘了借鉴自希腊和罗马神话以及基督教的士兵形象。在风格上,这些画作以抽象的背景描绘了现实中的人物,使他们与以色列的现实拉开了距离,同时又能让人认出他们是以色列士兵。利用双重疏离的手法,艺术家表达了一种女权主义的反立场--一位女性拒绝被动地接受不加批判地支持士兵的母亲的角色。此外,她还通过指出创伤后应激障碍来探讨士兵的脆弱性,这是军人中的一种普遍现象,在以色列的言论中,这种现象仍然处于被剥夺权利的地位。
An Unheard Voice: The Paintings of Zohar Tal Inbar, a Mother Looking at Her Soldier Son
This study focuses on a series—Of Beautiful Arms—by Israeli artist Zohar Tal Inbar. The paintings were created a few years after the artist’s son was released from the army, diagnosed with post-traumatic stress disorder (PTSD). It includes figurative paintings, most of them focusing on the body of a young man—a soldier. The methodology combines visual analysis of the paintings with interviews with the artist. Findings have shown that the series embodies double estrangement—thematic and stylistic. The artist has used intertextuality to portray soldier images borrowed from Greek and Roman mythology and from Christianity. In terms of style, the paintings portray realistic figures against abstract backgrounds that distance them from Israeli reality while leaving them recognizable as Israeli soldiers. Using double estrangement allowed the artist to express a feminist counterposition—that of a woman refusing to passively accept the role of an uncritically supportive soldier’s mother. In addition, she has explored the soldier’s fragility by pointing to PTSD, a common phenomenon among military personnel, which in Israeli discourse still suffers a disfranchised status.