从 "超越 "到 "媚俗":我们失去信念了吗?

IF 1 4区 社会学 Q2 ANTHROPOLOGY
Signs and Society Pub Date : 2023-09-01 DOI:10.1086/726198
Alberto Castelli
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引用次数: 0

摘要

艺术家的角色和艺术的本质是西方哲学中两个最持久、最具争议性的主题。事实上,如果我们追溯美学的历史,似乎可以发现,随着历史跨入另一个时代,艺术家的角色和艺术的效果都受到了质疑。我在这项研究中关注的是整个西方历史中艺术和艺术家的功能,这与其说是一场解放运动,不如说是一场超越危机。同样,在我们这个时代,世俗知识教条主义将文学文本视为语言学分析的公开文件,而不考虑作者的意图,这与其说是一种民主努力,不如说是一种宗教信仰危机。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From Transcendence to Kitsch: Have We Lost Faith?
The role played by the artist and the nature of art are two of the most enduring and controversial themes in Western philosophy. Indeed, if we were to trace the history of aesthetics, it seems evident that the role of the artist and the effects of art have been called into question as history crosses over into another age. My concern in this study has to do with the function of art and the artist throughout Western history, which is not so much an emancipatory movement as it is a crisis of transcendence. Likewise, the secular intellectual dogmatism that, in our age, treats literary texts as open documents of linguistics analysis without consideration for the author’s intention is less a democratic endeavor than it is a crisis of religious belief.
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Signs and Society
Signs and Society Multiple-
CiteScore
1.70
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14
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