从高处俯瞰》中的微侵害和近景学

IF 0.1 0 FILM, RADIO, TELEVISION

Short Film Studies Pub Date : 2023-09-01 DOI:10.1386/sfs_00103_1

Marci Mazzarotto

{"title":"从高处俯瞰》中的微侵害和近景学","authors":"Marci Mazzarotto","doi":"10.1386/sfs_00103_1","DOIUrl":null,"url":null,"abstract":"This article explores how proxemics (by way of cinematography and other formal strategies) as well as microaggressions are brilliantly deployed throughout The View from Up Here in order to demonstrate a racist power dynamic – one that is inherently tied to the manner in which deeply damaging stereotypes of migrants and refugees are not only created and reinforced by the mass media but also subsequently disseminated by audiences.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":"242 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Microaggression and proxemics in The View from Up Here\",\"authors\":\"Marci Mazzarotto\",\"doi\":\"10.1386/sfs_00103_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores how proxemics (by way of cinematography and other formal strategies) as well as microaggressions are brilliantly deployed throughout The View from Up Here in order to demonstrate a racist power dynamic – one that is inherently tied to the manner in which deeply damaging stereotypes of migrants and refugees are not only created and reinforced by the mass media but also subsequently disseminated by audiences.\",\"PeriodicalId\":40193,\"journal\":{\"name\":\"Short Film Studies\",\"volume\":\"242 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Short Film Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/sfs_00103_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Short Film Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/sfs_00103_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}

引用次数: 0

摘要

本文探讨了《从这往上看》是如何通过电影摄影和其他形式策略，巧妙地运用近景技术和微观诽谤来展示种族主义权力动态的--这种动态与对移民和难民的极具破坏性的刻板印象不仅被大众媒体创造和强化，而且随后被观众传播的方式有着内在联系。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Microaggression and proxemics in The View from Up Here

This article explores how proxemics (by way of cinematography and other formal strategies) as well as microaggressions are brilliantly deployed throughout The View from Up Here in order to demonstrate a racist power dynamic – one that is inherently tied to the manner in which deeply damaging stereotypes of migrants and refugees are not only created and reinforced by the mass media but also subsequently disseminated by audiences.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Short Film Studies FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The main purposes of SFS are: To stimulate ongoing research on individual short films as a basis for a better understanding of the art form To provide a flow of cutting-edge teaching materials that can be used in courses in which short films are either studied or produced, at film schools or universities To offer fresh inspiration to filmmakers and other professionals working with short films in connection with festivals, national film institutes, regional film centres, etc. While the principal focus is on the short fiction film, other classic forms – such as the short documentary, the short experimental film and the short animation film – are also covered from time to time. In each issue, two productions are singled out for comprehensive presentation and close study. For each film, the reader will find production data, an interview with the director, a shot-by-shot breakdown of the film with a still illustrating every shot, a number of peer-reviewed articles that illuminate the film from a variety of perspectives and a link enabling subscribers to view the film.