蜡染贡贡主题的符号学

Miftah Amalia Hasibuan, Erwin Ashari, Nailul Himmi Hasibuan
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引用次数: 0

摘要

时代的飞速发展会导致人们对文化缺乏了解。对文化的不理解会导致对艺术作品所传达的信息的不理解。蜡染是印度尼西亚的文化之一。蜡染是艺术与技术相结合的产物。同样,廖内群岛也有蜡染,那就是贡贡蜡染。因此,本研究的目的是了解 Yuspiq 先生创作的五种 Gonggong(Strombus Canurium)蜡染主题的符号、被符号化、表示和内涵意义。本研究采用罗兰-巴特符号学分析方法进行定性描述研究。研究结果表明,Gonggong 的指称意义是廖内群岛的标志。内涵意义是描述马来社区领袖在面对生活时的勇气、宗教信仰、社会精神、和谐、真诚和谦逊。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE SEMIOTICS OF BATIK GONGGONG THEME
The rapid development of the times can lead to a lack of understanding of culture. A lack of understanding of a culture can lead to a lack of understanding of the message conveyed by a work of art. One of the cultures in Indonesia is batik. Batik is the result of a touch of art and technology. Likewise, the Riau Islands have batik, that is Gonggong batik. Therefore, this study has the objective of knowing the signifier, signified, denotative and connotative meanings of the five Gonggong (Strombus Canurium) batik themes created by Mr Yuspiq. In this study using qualitative descriptive research methods with Roland Barthes semiology analisis approach. The results of this study indicate that the denotative meaning of Gonggong is an icon of the Riau Islands. The connotative meaning is to describe Malay community leaders as having courage, religion, social spirit, harmony, sincerity, and humility in facing life
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