贾拉鲁丁-鲁米苏菲主义中音乐作为存在媒介的精神维度

Abdul Hanif, Ahmad Fathy
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摘要

伊斯兰教中的音乐不仅与艺术和文化有关。它还包含在宗教礼拜和宗教体验的论述中。许多法学家都在辩论音乐的法律地位,无论是在聆听层面还是在歌唱层面。然而,对苏菲派而言,音乐是一种崇拜媒介,是表达他们亲近真主体验的媒介。贾拉鲁丁-鲁米(Jalaluddin Rumi)是一位经常使用音乐的苏菲,他通过诗歌和音乐来表达自己的苏菲体验。他对音乐有着不同的理解,音乐似乎包含着一种精神(ruhani)元素,是他体验存在的一种形式。本文将通过以下问题探讨这一问题:苏菲音乐中包含哪些精神价值? 音乐如何成为苏菲的一种存在方式?本研究采用定性描述分析法,得出的结论是:鲁米的诗歌和音乐在表达他与真主的关系时,展现了他更亲密、更隐秘的教义。因此,"狂喜 "和 "ma'rifat "的体验往往是通过诗歌或音乐产生的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
DIMENSI SPIRITUALITAS MUSIK SEBAGAI MEDIA EKSISTENSI DALAM SUFISME JALALUDDIN RUMI
Music in Islam is not only related to art and culture. It is also included in the discourse of religious worship and experience. Many jurists debate the legal status of music, both at the listening level and at the singing level. However, for Sufis, music is a medium of worship, a medium for expressing their experience of closeness to God. Jalaluddin Rumi, as a Sufi who often uses music and expresses his Sufi experiences through poetry and music. He has a different meaning about music, which seems to contain a spiritual (ruhani) element which is a form of his experiential existence. This issue will be explored in this article through the question: what spiritual values are contained in Sufi music? and how can music occur as a way of existence in Sufism? This research is qualitative in nature with descriptive analysis which results in the conclusion that Rumi's poetry and music show his more intimate and secret teachings in relation to the expression of his relationship with God. So the experience of ecstasy and the ma’rifat often arises through poetry or music.
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