Syed Ameeruddin 的诗歌:专题评价

Suresh Pande
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引用次数: 0

摘要

赛义德-阿米鲁丁(Syed Ameeruddin),1942 年 12 月 5 日出生于 Guntakal-A.P.(印度),于 2020 年 11 月 28 日在泰米尔纳德邦的钦奈咽下了最后一口气。作为诗人、评论家、新学院教授和国际诗人学院创始人,他以其不懈的努力、创作和作品在当今印度英语作家中赢得了杰出的地位。他的巨著--《解脱的愿景》以史诗般的宏伟气势探索了无限的现实,从世俗的、暂时的到令人着迷的永恒之境的各种存在维度,象征着印度词汇中的 Sat-Cit-Ananda --存在、意识和极乐。这本书收录了 30 首生动的诗歌,就像串在一起的宝石,熠熠生辉。所有诗歌都在永恒的运动中创造情感、吉祥喜悦的感觉,就像一个生物的诞生和他/她的成长一样。他的人道主义关怀、哲学背景、形而上学的先入之见,共同解决/化解了混乱的现实和生活中的闪光点,其措辞简洁、直接、明快、轻快。因此,他是一位具有多重色彩、神奇而充满活力的诗人,他的诗歌充满了语言的狂喜、视觉的美丽和想象的细腻。阿米鲁丁的诗歌中蕴含着丰富的想象力和象征意义,本文已对其诗歌进行了详细论述,并适当引用了文本中的相关内容。他的诗歌更吸引人的地方在于发现了迄今为止尚未发掘的与文化、遗产和文明有关的黑暗秘境。作为诗歌的娱乐者,他试图探索更广阔的人类思想、生活经验、世俗、宇宙和世界末日的幻象,以达到娱乐的目的;同时也将他挑剔的读者带入他高尚的创作世界。主观因素与他所处时代的事件/活动有着微妙的联系。作为一位艺术大师,诗人在长诗中出色地诠释了其孙子的主观意象,将超现实主义和冗长的语句展现在读者面前。对所有突出特点的研究,如主题的艺术表现、音乐质地、母语的使用、诗歌的使命、预言性的话语和抒情的华丽,都简明扼要地聚焦于阿米鲁丁的生平和他的全部文学作品,尤其是《解脱的愿景》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Poetry of Syed Ameeruddin: A Thematic Appraisal
Syed Ameeruddin, born on 5th December 1942 at Guntakal-A.P. (India) took his agonal last breath on November 28, 2020 in Chennai of Tamil Nadu. As a poet, critic, New College Professor and Founder of the International Poet’s Academy he earned a distinguished place among Indian English Writers of today by dint of his unfailing hard work, compositions and oeuvres. His magnum opus— Visions of Deliverance with epical grandeur explores the infinite reality in its multifarious existential dimensions ranging from mundane and temporal to the mesmerizing eternal lands of everlasting beauty signifying what in Indian lexicon is termed as Sat-Cit-Ananda— Existence, Consciousness and Bliss. The book has 30 lively poems bright like gems beaded in a string. All the poems move in a perpetual movement to create emotion, feelings of auspicious joy as at the birth of a biological being and his/her upbringing. His humanitarian concerns, philosophical backdrops, metaphysical preoccupations together solve/ resolve the chaotic realities and sparkles of life with illuminating zest and determination in a diction which applies simplicity, directness, lucidity and a lilting mode. Accordingly, he emerges as a poet with multiple hues magical and vibrant embracing verbal ecstasy, visual beauty and imagistic delicacy. Imagery and symbolism that are richly present in abundance in Ameeruddin’s poetry which has been discussed in this paper at length with appropriate citations from the text. What is more enticing to his poetry is the discovery of hitherto unfathomed secret spheres of darkness pertaining to culture, heritage and civilization. As an entertainer in poetry, he attempts to explore broader ranges of human thoughts, lived experiences, mundane, cosmic and apocalyptic visions to entertain; simultaneously to transport his discerning readers into the world of his noble creation. The subjective elements delicately connect to the events/activities of his own times. As a master craftman the poet brilliantly illustrates in his long poem the subjective imagery of his Grandson which brings to fore surrealistic and long-winded phrases. A study of all salient features such as—the artistic representation of the theme, musical texture, use of native tongue, poetic mission, prophetic utterances and lyrical grandeur has tersely been done to focus on Ameeruddin’s life and the whole gamut of his literary output with particular reference to Visions of Deliverance.
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