被北方征服:五六十年代艺术家弗-阿-伊戈舍夫的创作之旅

Artur Amirovich Galyamov
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引用次数: 0

摘要

苏联人民艺术家弗拉基米尔-亚历山德罗维奇-伊戈舍夫(1921-2007 年)的北方创作之旅,是其创作传记中重要而生动的一页。研究对象是艺术家弗拉基米尔-亚历山德罗维奇-伊戈舍夫的创作遗产。研究对象是艺术家弗-阿-伊戈舍夫在二十世纪五六十年代到北方(斯维尔德洛夫斯克州和秋明州)的创作之旅。本研究的目的是根据早期 "北方周期 "的绘画和图形作品、档案资料、展览目录、苏联期刊、个人科学文章和线人提供的信息,重建 1950--1960 年代艺术家弗-阿-伊戈舍夫北方创作之旅的全貌。这项研究的新颖之处在于,它对艺术家弗-阿-伊戈舍夫二十世纪五六十年代的北方创作之旅问题进行了最全面、最详细的研究。在此之前,这一主题尚未得到特别报道。现代艺术家弗-阿-伊戈舍夫创作遗产研究者在其评论文章中几乎没有涉及这一问题,而只是提到了大师创作传记中的个别情节。本研究的作者提供了与具体旅行日期相关的史实,介绍了绘画和图形作品的清单,以及这些作品的创作和在 20 世纪 50 年代和 60 年代大型艺术展览中进一步曝光的所有情况。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Conquered by the North: creative trips of the artist V.A. Igoshev of the 1950s and 1960s
The northern creative trips of the People's Artist of the USSR Vladimir Alexandrovich Igoshev (1921-2007) represent important and vivid pages in his creative biography. The object of this research is the creative heritage of the artist V.A. Igoshev. The subject of the study is the creative trips of the artist V.A. Igoshev to the North (Sverdlovsk and Tyumen regions) of the 1950s and 1960s. The purpose of this study is to reconstruct the overall picture of the northern creative trips of the artist V.A. Igoshev of the 1950s–1960s on the basis of paintings and graphic works of the early "northern cycle", archival materials, exhibition catalogues, Soviet periodicals, individual scientific articles and information from informants. The novelty of the research lies in the most complete and detailed consideration at the moment of the issue of the northern creative trips of the artist V.A. Igoshev in the 1950s and 1960s. Previously, this topic has not received special coverage. Modern researchers of the creative heritage of the artist V.A. Igoshev in their review articles practically did not touch on this problem, limiting themselves to mentioning individual episodes from the creative biography of the master. The author of the study provides historical facts related to specific dates of trips, introduces a list of paintings and graphic works, with all the circumstances of their creation and further exposure at major art exhibitions of the 1950s and 1960s.
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