雄心勃勃的自我谴责：斯特凡妮-费里塞-德-热利斯和阿米莉亚-奥佩小说中的堕落女性

IF 0.4 3区文学 0 LITERATURE

COMPARATIVE LITERATURE STUDIES Pub Date : 2023-11-01 DOI:10.5325/complitstudies.60.4.0746

Katharine Ann Jensen

{"title":"雄心勃勃的自我谴责：斯特凡妮-费里塞-德-热利斯和阿米莉亚-奥佩小说中的堕落女性","authors":"Katharine Ann Jensen","doi":"10.5325/complitstudies.60.4.0746","DOIUrl":null,"url":null,"abstract":"abstract:In her 1804 La Duchesse de la Vallière, Genlis and Opie, in her 1805 Adeline Mowbray portray the fallen woman. In each novel, the heroine's fall leads her to condemn herself in an exceptional way because this distinguishes her from women like her and isolates her from a world that would integrate her. In seeking to singularize themselves through their active, willful self-repudiation, la Vallière and Adeline reveal an ambitious wish to be publicly recognized as individuals. Yet by casting their heroines' singularity in terms of self-castigation, Genlis and Opie portray female ambition in a paradoxical fashion.","PeriodicalId":55969,"journal":{"name":"COMPARATIVE LITERATURE STUDIES","volume":"6 1","pages":"746 - 770"},"PeriodicalIF":0.4000,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ambitious Self-Condemnation: The Fallen Woman in Novels by Stéphanie-Félicité de Genlis and Amelia Opie\",\"authors\":\"Katharine Ann Jensen\",\"doi\":\"10.5325/complitstudies.60.4.0746\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:In her 1804 La Duchesse de la Vallière, Genlis and Opie, in her 1805 Adeline Mowbray portray the fallen woman. In each novel, the heroine's fall leads her to condemn herself in an exceptional way because this distinguishes her from women like her and isolates her from a world that would integrate her. In seeking to singularize themselves through their active, willful self-repudiation, la Vallière and Adeline reveal an ambitious wish to be publicly recognized as individuals. Yet by casting their heroines' singularity in terms of self-castigation, Genlis and Opie portray female ambition in a paradoxical fashion.\",\"PeriodicalId\":55969,\"journal\":{\"name\":\"COMPARATIVE LITERATURE STUDIES\",\"volume\":\"6 1\",\"pages\":\"746 - 770\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"COMPARATIVE LITERATURE STUDIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/complitstudies.60.4.0746\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"COMPARATIVE LITERATURE STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/complitstudies.60.4.0746","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}

引用次数: 0

摘要

摘要:在 1804 年的《瓦利埃尔公爵夫人》中，热利斯和奥皮，在 1805 年的《阿德琳-莫伯雷》中，都塑造了堕落女性的形象。在每部小说中，女主人公的堕落都会导致她以一种特殊的方式谴责自己，因为这使她有别于像她一样的女性，并将她孤立于一个会使她融入其中的世界之外。拉-瓦利埃尔和艾德琳通过主动、故意的自我否定来寻求自我独特化，这揭示了她们希望作为个体得到公众认可的雄心壮志。然而，Genlis 和 Opie 以自我谴责的方式塑造了女主人公的独特性，以一种自相矛盾的方式描绘了女性的野心。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Ambitious Self-Condemnation: The Fallen Woman in Novels by Stéphanie-Félicité de Genlis and Amelia Opie

abstract:In her 1804 La Duchesse de la Vallière, Genlis and Opie, in her 1805 Adeline Mowbray portray the fallen woman. In each novel, the heroine's fall leads her to condemn herself in an exceptional way because this distinguishes her from women like her and isolates her from a world that would integrate her. In seeking to singularize themselves through their active, willful self-repudiation, la Vallière and Adeline reveal an ambitious wish to be publicly recognized as individuals. Yet by casting their heroines' singularity in terms of self-castigation, Genlis and Opie portray female ambition in a paradoxical fashion.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

COMPARATIVE LITERATURE STUDIES LITERATURE-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： Comparative Literature Studies publishes comparative articles in literature and culture, critical theory, and cultural and literary relations within and beyond the Western tradition. It brings you the work of eminent critics, scholars, theorists, and literary historians, whose essays range across the rich traditions of Africa, Asia, Europe, and the Americas. One of its regular issues every two years concerns East-West literary and cultural relations and is edited in conjunction with members of the College of International Relations at Nihon University. Each issue includes reviews of significant books by prominent comparatists.