{"title":"浪费或偷走的时间:乌贼游戏、债务和时间的剥夺","authors":"Prerna Subramanian","doi":"10.5325/jasiapacipopcult.8.2.0195","DOIUrl":null,"url":null,"abstract":"This article delves into the portrayal of the relationship between indebted individuals and disposable time in the South Korean Netflix TV series Squid Game (2021–present). It argues that the show illustrates how the debt-ridden, so-called unproductive members of society are denied the right to have disposable time and are excluded from moments of play and leisure and denied escape from their perpetual debt cycle. The analysis focuses on two pivotal moments: the recruitment of Gi-Hun and the persuasion of Oh Il-Nam to participate in the deadly game. In the final episode, Oh Il-Nam is revealed as the wealthy mastermind behind the Squid Game, highlighting the rich’s exploitation of the indebted individuals’ time for their own leisure and profit. The article concludes by suggesting an alternative perspective: considering time as stolen rather than wasted, prompting further contemplation on the complex dynamics of power, time, and exploitation depicted in Squid Game.","PeriodicalId":40211,"journal":{"name":"Journal of Asia-Pacific Pop Culture","volume":"25 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Wasted or Stolen Time: Squid Game, Debt, and Dispossession of Time\",\"authors\":\"Prerna Subramanian\",\"doi\":\"10.5325/jasiapacipopcult.8.2.0195\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article delves into the portrayal of the relationship between indebted individuals and disposable time in the South Korean Netflix TV series Squid Game (2021–present). It argues that the show illustrates how the debt-ridden, so-called unproductive members of society are denied the right to have disposable time and are excluded from moments of play and leisure and denied escape from their perpetual debt cycle. The analysis focuses on two pivotal moments: the recruitment of Gi-Hun and the persuasion of Oh Il-Nam to participate in the deadly game. In the final episode, Oh Il-Nam is revealed as the wealthy mastermind behind the Squid Game, highlighting the rich’s exploitation of the indebted individuals’ time for their own leisure and profit. The article concludes by suggesting an alternative perspective: considering time as stolen rather than wasted, prompting further contemplation on the complex dynamics of power, time, and exploitation depicted in Squid Game.\",\"PeriodicalId\":40211,\"journal\":{\"name\":\"Journal of Asia-Pacific Pop Culture\",\"volume\":\"25 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Asia-Pacific Pop Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/jasiapacipopcult.8.2.0195\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Asia-Pacific Pop Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/jasiapacipopcult.8.2.0195","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Wasted or Stolen Time: Squid Game, Debt, and Dispossession of Time
This article delves into the portrayal of the relationship between indebted individuals and disposable time in the South Korean Netflix TV series Squid Game (2021–present). It argues that the show illustrates how the debt-ridden, so-called unproductive members of society are denied the right to have disposable time and are excluded from moments of play and leisure and denied escape from their perpetual debt cycle. The analysis focuses on two pivotal moments: the recruitment of Gi-Hun and the persuasion of Oh Il-Nam to participate in the deadly game. In the final episode, Oh Il-Nam is revealed as the wealthy mastermind behind the Squid Game, highlighting the rich’s exploitation of the indebted individuals’ time for their own leisure and profit. The article concludes by suggesting an alternative perspective: considering time as stolen rather than wasted, prompting further contemplation on the complex dynamics of power, time, and exploitation depicted in Squid Game.