{"title":"情感、金钱和美貌：双剑与苏小卿故事中的变异与创新","authors":"Tianjun Chen","doi":"10.1353/cop.2023.a910839","DOIUrl":null,"url":null,"abstract":"Abstract:This paper explores the circulation, recension, and reception of the story of Shuang Jian and Su Xiaoqing. This understudied story is one of the three most popular stories of the Song, Jin, and Yuan periods, appearing in zhugongdiao, zaju, and sanqu. The variations in how Yuan sanqu writers narrated, appropriated, and interpreted the story reveal three ways of portraying Su Xiaoqing: as a virtuous, victimized courtesan who mirrors her scholarly lover; as a gold digger who chooses wealth over talent; or as the primary agent who dominates all of her relationships. The juxtaposition and interconnectedness of these narrative systems manifest the flexibility and inclusiveness of the textual space of the Yuan and the distinctiveness of sanqu as an independent literary genre.","PeriodicalId":502367,"journal":{"name":"CHINOPERL: Journal of Chinese Oral and Performing Literature","volume":"15 1","pages":"129 - 99"},"PeriodicalIF":0.0000,"publicationDate":"2023-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Emotion, Money, and Beauty: Variation and Innovation in the Story of Shuang Jian and Su Xiaoqing\",\"authors\":\"Tianjun Chen\",\"doi\":\"10.1353/cop.2023.a910839\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This paper explores the circulation, recension, and reception of the story of Shuang Jian and Su Xiaoqing. This understudied story is one of the three most popular stories of the Song, Jin, and Yuan periods, appearing in zhugongdiao, zaju, and sanqu. The variations in how Yuan sanqu writers narrated, appropriated, and interpreted the story reveal three ways of portraying Su Xiaoqing: as a virtuous, victimized courtesan who mirrors her scholarly lover; as a gold digger who chooses wealth over talent; or as the primary agent who dominates all of her relationships. The juxtaposition and interconnectedness of these narrative systems manifest the flexibility and inclusiveness of the textual space of the Yuan and the distinctiveness of sanqu as an independent literary genre.\",\"PeriodicalId\":502367,\"journal\":{\"name\":\"CHINOPERL: Journal of Chinese Oral and Performing Literature\",\"volume\":\"15 1\",\"pages\":\"129 - 99\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-11-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CHINOPERL: Journal of Chinese Oral and Performing Literature\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/cop.2023.a910839\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CHINOPERL: Journal of Chinese Oral and Performing Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cop.2023.a910839","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Emotion, Money, and Beauty: Variation and Innovation in the Story of Shuang Jian and Su Xiaoqing
Abstract:This paper explores the circulation, recension, and reception of the story of Shuang Jian and Su Xiaoqing. This understudied story is one of the three most popular stories of the Song, Jin, and Yuan periods, appearing in zhugongdiao, zaju, and sanqu. The variations in how Yuan sanqu writers narrated, appropriated, and interpreted the story reveal three ways of portraying Su Xiaoqing: as a virtuous, victimized courtesan who mirrors her scholarly lover; as a gold digger who chooses wealth over talent; or as the primary agent who dominates all of her relationships. The juxtaposition and interconnectedness of these narrative systems manifest the flexibility and inclusiveness of the textual space of the Yuan and the distinctiveness of sanqu as an independent literary genre.
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