声音的意义:黑人艺术运动的标准

Corey Reed
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摘要

摘要:"黑人艺术 "通常被理解为具有内在的政治性。在研究哈莱姆文艺复兴和黑人艺术运动这两大黑人艺术运动时,许多归因于这些时期的作品都符合 "政治艺术 "的描述,但并非所有作品都是如此。黑人艺术运动也不完全是由类似的风格或方法定义的,比如表现主义或超现实主义。相反,黑人艺术运动是融合了社会、政治和美学标准的复杂运动。在本文中,我列出了七项条件,我认为这些条件共同构成了黑人艺术运动的充分条件。在这一论断中,我还认为,如果我们更新哈莱姆文艺复兴和黑人艺术运动中满足这些条件的媒介,那么与 "黑人生命至上 "运动并行的当今时代,也值得作为黑人艺术运动的标志。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Signifying the Sound: Criteria for Black Art Movements
Abstract:“Black art” is often understood as being inherently political. In examining two major Black arts movements, the Harlem Renaissance and the Black Arts movement, many of the works attributed to those periods fit the description of “political art” but not all of them. Black art movements are not defined exclusively by similar styles or methodologies, like Expressionism or Surrealism, either. Instead, Black art movements are complex movements that blend social, political, and aesthetic criteria. In this article, I list seven conditions that I take to be jointly sufficient for a Black art movement to be signified as such. In this assertion, I also argue that this current era, paralleling the Black Lives Matter movement, is worthy of Black art movement signification, if we update the mediums by which the conditions are met in the Harlem Renaissance and the Black Arts movement.
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