与魔鬼共舞:重温卡尔-奥尔夫与国家社会主义

Alexandra Kertz-Welzel
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引用次数: 0

摘要

几十年来,奥尔夫的作品,尤其是《卡米娜-布拉娜》和《舒尔沃克》一直广受欢迎。但是,自从奥尔夫在第三帝国时期成为一名成功的作曲家和教育家以来,他与国家社会主义的关系一直是个问题。迄今为止,历史研究对他的描述并不清晰,在将他视为支持者还是抵抗战士之间摇摆不定。最近的研究提供了更为复杂的视角。本文旨在利用最新发表的德国研究成果,修正国际音乐教育界对奥尔夫与国家社会主义关系的看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dancing with devils: Carl Orff and National Socialism revisited
Orff’s work, particularly Carmina Burana and the Schulwerk, has been popular for many decades. But since Orff established himself as a successful composer and educator during the Third Reich, there has always been the issue of his relation to National Socialism. Historical research has so far presented an unclear picture, oscillating between seeing him as a supporter or a resistance fighter. Most recent research offers much more complex perspectives. The purpose of this article is to utilize the most recently published German research to revise the notion the international music education community has of Orff’s connection with National Socialism.
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