跨越时空的旋律:探索东黑海流行音乐的联系与内涵

IF 0.3 0 MUSIC
Gökhan Altinbaş, Songül Karahasanoğlu
{"title":"跨越时空的旋律:探索东黑海流行音乐的联系与内涵","authors":"Gökhan Altinbaş, Songül Karahasanoğlu","doi":"10.33906/musicologist.1381950","DOIUrl":null,"url":null,"abstract":"The Eastern Black Sea region of Turkey, imbued with a wealth of cultural and historical narratives, boasts a musical heritage characterized by distinctive instruments, vocal styles, and polyphonic structures. This music is a testament to the region's rich identity, intricately woven through the tapestry of time by diverse cultural influences and significant historical events. This research is grounded in the endeavor to unravel the intricate connections within this musical sphere, particularly through the perspectives of intertextuality and hypertextuality. Intertextuality highlights the nuanced dialogues between various musical compositions, offering an enriched view into their intrinsic associations. Hypertextuality, a concept introduced by Gerard Genette and later applied to music by Serge Lacasse, broadens this dialogue, revealing the intricate networks formed through actions such as covering, remixing, and translation. The investigation delves into these dynamics, especially in the popular tunes of the Eastern Black Sea, leveraging analytical techniques from musicology, cultural studies, and media studies. The objective is to understand how intertextuality and hypertextuality amplify the vibrancy and appeal of Eastern Black Sea melodies, shaping their fundamental essence, significance, and worldwide appeal. We aspire to foster profound comprehension of these multifaceted ties, illuminating their role in characterizing the region’s musical and cultural landscapes. This probe contributes a fresh perspective to the ongoing debates in musicology and cultural studies, underscoring the imperative for an all-encompassing and prolonged methodology in musical inquiry, accentuating the power of intertextuality and hypertextuality in grasping the nexus between music and the wider cultural, social, and historical backdrops. This meticulous scrutiny is expected to not only enrich scholarly conversations but also to unveil the myriad of components steering the evolution and impact of the Eastern Black Sea’s abundant musical heritage.","PeriodicalId":29680,"journal":{"name":"Musicologist","volume":"37 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2023-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Melodies Across Time: Exploring Connections and Context in Eastern Black Sea Popular Music\",\"authors\":\"Gökhan Altinbaş, Songül Karahasanoğlu\",\"doi\":\"10.33906/musicologist.1381950\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Eastern Black Sea region of Turkey, imbued with a wealth of cultural and historical narratives, boasts a musical heritage characterized by distinctive instruments, vocal styles, and polyphonic structures. This music is a testament to the region's rich identity, intricately woven through the tapestry of time by diverse cultural influences and significant historical events. This research is grounded in the endeavor to unravel the intricate connections within this musical sphere, particularly through the perspectives of intertextuality and hypertextuality. Intertextuality highlights the nuanced dialogues between various musical compositions, offering an enriched view into their intrinsic associations. Hypertextuality, a concept introduced by Gerard Genette and later applied to music by Serge Lacasse, broadens this dialogue, revealing the intricate networks formed through actions such as covering, remixing, and translation. The investigation delves into these dynamics, especially in the popular tunes of the Eastern Black Sea, leveraging analytical techniques from musicology, cultural studies, and media studies. The objective is to understand how intertextuality and hypertextuality amplify the vibrancy and appeal of Eastern Black Sea melodies, shaping their fundamental essence, significance, and worldwide appeal. We aspire to foster profound comprehension of these multifaceted ties, illuminating their role in characterizing the region’s musical and cultural landscapes. This probe contributes a fresh perspective to the ongoing debates in musicology and cultural studies, underscoring the imperative for an all-encompassing and prolonged methodology in musical inquiry, accentuating the power of intertextuality and hypertextuality in grasping the nexus between music and the wider cultural, social, and historical backdrops. This meticulous scrutiny is expected to not only enrich scholarly conversations but also to unveil the myriad of components steering the evolution and impact of the Eastern Black Sea’s abundant musical heritage.\",\"PeriodicalId\":29680,\"journal\":{\"name\":\"Musicologist\",\"volume\":\"37 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-11-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Musicologist\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33906/musicologist.1381950\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Musicologist","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33906/musicologist.1381950","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0

摘要

土耳其东黑海地区蕴含着丰富的文化和历史叙事,拥有以独特乐器、声乐风格和复调结构为特征的音乐遗产。这些音乐是该地区丰富身份的见证,不同的文化影响和重大历史事件在时间的长河中错综复杂地交织在一起。这项研究的基础是努力揭示这一音乐领域中错综复杂的联系,特别是通过互文性和超文本性的视角。互文性强调各种音乐作品之间微妙的对话,提供了一个丰富的视角来审视其内在关联。超文本性是由杰拉德-热奈特(Gerard Genette)提出的概念,后来由塞尔日-拉卡斯(Serge Lacasse)应用于音乐,它拓宽了这种对话,揭示了通过覆盖、混音和翻译等行为形成的错综复杂的网络。本研究利用音乐学、文化研究和媒体研究的分析技术,深入探讨了这些动态,尤其是在东黑海的流行曲调中。目的是了解互文性和超文本性如何放大东黑海旋律的活力和吸引力,塑造其基本本质、意义和全球吸引力。我们希望促进对这些多方面联系的深刻理解,阐明它们在该地区音乐和文化景观中的作用。这项研究为音乐学和文化研究领域正在进行的辩论提供了一个全新的视角,强调了在音乐研究中采用全方位和长期方法的必要性,突出了互文性和超文本性在把握音乐与更广泛的文化、社会和历史背景之间联系方面的力量。这种细致入微的审视不仅有望丰富学术对话,还将揭示引导东黑海丰富音乐遗产演变和影响的无数组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Melodies Across Time: Exploring Connections and Context in Eastern Black Sea Popular Music
The Eastern Black Sea region of Turkey, imbued with a wealth of cultural and historical narratives, boasts a musical heritage characterized by distinctive instruments, vocal styles, and polyphonic structures. This music is a testament to the region's rich identity, intricately woven through the tapestry of time by diverse cultural influences and significant historical events. This research is grounded in the endeavor to unravel the intricate connections within this musical sphere, particularly through the perspectives of intertextuality and hypertextuality. Intertextuality highlights the nuanced dialogues between various musical compositions, offering an enriched view into their intrinsic associations. Hypertextuality, a concept introduced by Gerard Genette and later applied to music by Serge Lacasse, broadens this dialogue, revealing the intricate networks formed through actions such as covering, remixing, and translation. The investigation delves into these dynamics, especially in the popular tunes of the Eastern Black Sea, leveraging analytical techniques from musicology, cultural studies, and media studies. The objective is to understand how intertextuality and hypertextuality amplify the vibrancy and appeal of Eastern Black Sea melodies, shaping their fundamental essence, significance, and worldwide appeal. We aspire to foster profound comprehension of these multifaceted ties, illuminating their role in characterizing the region’s musical and cultural landscapes. This probe contributes a fresh perspective to the ongoing debates in musicology and cultural studies, underscoring the imperative for an all-encompassing and prolonged methodology in musical inquiry, accentuating the power of intertextuality and hypertextuality in grasping the nexus between music and the wider cultural, social, and historical backdrops. This meticulous scrutiny is expected to not only enrich scholarly conversations but also to unveil the myriad of components steering the evolution and impact of the Eastern Black Sea’s abundant musical heritage.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.60
自引率
50.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信