在社交媒体上批判对女佣的成见

Lukman Hakim
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引用次数: 0

摘要

家务劳动是一项与家庭相关的活动,大多由妇女承担。人们对从事家政工作的女性有很多负面的成见。年轻的活动家之一 Kalis Mardiasih 在他的 Instagram 账户上对性别问题的回应相当尖锐。本研究旨在分析 @kalis.mardiasih 帖子背后与女性家政工人的刻板印象有关的话语。本研究采用了诺曼-费尔克拉夫(Norman Fairclough)的批判性话语分析方法。研究结果表明,Kalis Mardiasih 更多地是通过被动的污名化指女性是受害者。从精神层面来看,女性接受陈规定型观念的意识使得女性只能被归类为可以被物化的二等人。此外,卡利斯还通过在自己的 Instagram 账户上发布关于家政女工的刻板印象的帖子,对所发布的图片和符号的意义(如女性在家庭中的角色)施加压力,以此做出回应。在他的帖子中,Kalis Mardiasih 着重强调了妇女在吊孩子时哭泣的图片,以及手持家用电器的符号。此外,Kalis Mardiasih 还用厚重的笔触书写,使两性平等的精髓能够为公民所接受。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Kritik Stereotipe Perempuan Pekerja Domestik di Media Sosial
Domestic work is a household-related activity and is mostly done by women. There are many negative stereotypes about women as domestic workers. One of the young activists, Kalis Mardiasih is quite critical in responding to gender issues on his Instagram account. The study aims to analyze the discourse behind posts @kalis.mardiasih related to stereotypes of women as domestic workers. This study uses the critical discourse analysis method of Norman Fairclough. The result of this study show that Kalis Mardiasih means women are more often victims according to the passive stigma attached to him. From the mental side, the female consciousness of accepting the stereotypes makes women only classified as a second-class human being that can be objectified. In addition, Kalis also responded through posts on her Instagram account about the stereotypes of female domestic workers by putting pressure on the meaning of the images and symbols posted, such as the role of women in the household. In his post, Kalis Mardiasih gave an emphasis on pictures f women crying while hanging children accompanied by symbols holding household appliances. In addition, Kalis Mardiasih also made writing with a thick style so that the essence of gender equality can be accepted by citizens.
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