概念是组织艺术话语的一种手段

Aleksandra Vishniakova, Tatiana Kuzioma
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摘要

文章以英国作家马丁-艾米斯(Martin Amis)的小说为素材,探讨了现代外国散文的特殊性。作者个人对世界的图景表现的基础是作者的概念系统,它与其他作家的概念有共同之处,但在作者的内容上又有所不同,这就使得谈论作者概念圈的独特性成为可能。马丁-艾米斯在作品中采取被动的创作立场,努力描绘现实的本来面目。作者没有指出摆脱困境的途径或解决问题的方案,他采取的是外部观察者的立场,这是大多数现代作家的特点。小说《黄狗》、《会客室》、《兴趣区》中包含的关系概念是个人思维的主要代表,因此进行了研究。关键词:概念;关系;文学;小说;空间范畴;马丁-艾米斯
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Concepts as a Means of Organizing Artistic Discourse
The article deals with the peculiarities of modern foreign prose on the material of English writer Martin Amis’s novels. The basis of individual-author's picture representation of the world is the author's concepts system, which have common characteristics with the concepts of other authors, but differ in author's content, which makes it possible to talk about the uniqueness of the author's conceptosphere. Martin Amis in his work takes a passive creative position, striving to portray reality as it is. The author does not show ways out of the situation or options for solving problems, he takes the position of an outside observer, which is characteristic of most modern authors. The novels “Yellow Dog”, “The House of Meetings”, “The Zone of Interest” underwent the research as contain the relation concept as the main representative of individual thinking. Keywords: concept, relations, literature, novel, space category, Martin Amis
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