朦胧水体与水心的艺术关系

IF 0.4 3区社会学 Q3 ANTHROPOLOGY

Oceania Pub Date : 2023-11-27 DOI:10.1002/ocea.5382

Bronwyn Bailey‐Charteris

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引用次数: 0

摘要

Hydrocene "是我为应对气候危机的艺术浪潮命名的一个充满水、破坏性和概念性的时代。在这篇短文中，我分享了 "雾化 "作为一种从雾中重新定位的水文艺术方法的潜在意义，在雾中，雾成为艺术实践中体现性接触的入口。我将日本艺术家藤子-中谷（Fujiko Nakaya）基于雾的大量作品与澳大利亚艺术家艾米丽-帕森斯-洛德（Emily Parsons-Lord）的迷雾装置作品《Things fall apart》（2017年）和珍妮特-劳伦斯（Janet Laurence）的朦胧特定场地公共作品《In the Shadow》（2000年）作为雾化的范例。我将这些艺术家的作品与理论家伊福-邓肯（Ifor Duncan）的 "神秘气象学"（Occult Meteorology）概念和珍妮-兰德森（Janine Randerson）的 "作为媒介的天气"（Weather as Medium）概念联系起来，并进一步提出雾化是水文景观中的一种水文艺术方法。在当代生态批判艺术实践中，雾状水体之间的潜在艺术关系为参与不确定的水景未来提供了可能性。

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Misty Bodies of Water and Artistic Relationality in the Hydrocene

The Hydrocene is the watery, disruptive, conceptual epoch that I name for the tide of art going into the blue in response to the climate crisis. In this short watery provocation and essay, I share the potential significance of ‘misting’ as a hydro‐artistic method of reorientation from within fog, where fog becomes a portal towards embodied encounters in art practices. I look to the extensive fog‐based work of Japanese artist Fujiko Nakaya alongside Australian artists Emily Parsons‐Lord's misty installation Things fall apart (2017) and Janet Laurence's hazy site‐specific public work In the Shadow (2000) as examples of misting. I relate the artists' pieces to theorist Ifor Duncan's concept of ‘Occult Meteorology’ and Janine Randerson's notion of ‘Weather as Medium’, and further propose misting as a hydro‐artistic method in the Hydrocene. The potential of artistic relationality between misty bodies of water in contemporary eco‐critical art practices opens up possibilities of engaging indeterminate watery futures.

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来源期刊

Oceania ANTHROPOLOGY-

CiteScore

1.50

自引率

10.00%

发文量

期刊介绍： The Australian journal OCEANIA focuses on the study of indigenous peoples of Australia, Melanesia, Polynesia, Micronesia, and Southeast Asia. A recent issue includes articles on land wars, land utilization, and aboriginal self-determination. There are typically five articles per issue and six to ten book reviews. Occasionally, an issue is devoted to a single topic (Katz).