{"title":"塔什干历史博物馆的论述分析","authors":"Orifjonova Gulrano R.","doi":"10.29013/eja-23-4-17-19","DOIUrl":null,"url":null,"abstract":"This article discusses the expositional analysis of the Tashkent History Museum. In the Tashkent Museum, special emphasis is placed on showing the Uzbek family. In the center of the porch, we can see a middle-aged Uzbek family talking around sandals and a young bride standing in front of a crib. This image is expressed through a model, and national costumes and jewelry specific to Tashkent are used to make it more natural","PeriodicalId":317481,"journal":{"name":"European Journal of Arts","volume":"50 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"EXPOSITIONAL ANALYSIS OF TASHKENT HISTORY MUSEUM\",\"authors\":\"Orifjonova Gulrano R.\",\"doi\":\"10.29013/eja-23-4-17-19\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article discusses the expositional analysis of the Tashkent History Museum. In the Tashkent Museum, special emphasis is placed on showing the Uzbek family. In the center of the porch, we can see a middle-aged Uzbek family talking around sandals and a young bride standing in front of a crib. This image is expressed through a model, and national costumes and jewelry specific to Tashkent are used to make it more natural\",\"PeriodicalId\":317481,\"journal\":{\"name\":\"European Journal of Arts\",\"volume\":\"50 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-11-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Journal of Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.29013/eja-23-4-17-19\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29013/eja-23-4-17-19","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This article discusses the expositional analysis of the Tashkent History Museum. In the Tashkent Museum, special emphasis is placed on showing the Uzbek family. In the center of the porch, we can see a middle-aged Uzbek family talking around sandals and a young bride standing in front of a crib. This image is expressed through a model, and national costumes and jewelry specific to Tashkent are used to make it more natural