对拉嘎-比哈格(Bihag)中的 Bandish 的旋律长度、音符概率和音符转换的统计分析

Soubhik Chakraborty, Prerna Singh
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摘要

旋律是指在音乐意义上可视为完整的音符序列。例如,一首歌曲或一首拉加乐曲中的一行音符就是完整的旋律。旋律中音符的数量称为旋律长度。遗憾的是,对旋律长度的分析在音乐研究中是一个被忽视的领域。鉴于在印度古典音乐等单声部音乐(单旋律线)中,旋律的重要性是由旋律长度与旋律频率(在音乐作品中出现的次数)的乘积来量化的,我们研究的新颖之处在于分析了著名的拉格-比哈格(Bihag)中的一段带子的长度统计特征。此外,我们还介绍了音符的概率分布,并统计了带状音符在 sthayi 和 antara 中的上升和下降转换。实验结果令人鼓舞。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Statistical analysis of melody lengths, note probabilities and note transitions of a bandish in raga Bihag
Melody refers to a succession of musical notes that can be regarded as complete in a musical sense. For example, a line of a song or a raga bandish is a melody as it is complete. The number of notes in a melody is called its length. Unfortunately, the analysis of melody lengths is a neglected area in music research. Given that the significance of a melody in monophonic music (single melody line), such as Indian classical music is quantified by the product of the length of the melody and its frequency (number of occurrences in the musical piece), the novelty of our research lies in analysing the statistical features of lengths of a well-known bandish in raga Bihag. Additionally, the probability distribution of the notes is presented and a count of rising and falling note transitions in the sthayi and antara of the bandish is also taken. The experimental results are encouraging.
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