在蔬菜地里跳舞

IF 0.2 0 DANCE

Choreographic Practices Pub Date : 2023-12-01 DOI:10.1386/chor_00063_1

Gregory Lorenzutti, Julie Ann Minaai, Brenton Surgenor

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引用次数: 0

摘要

Dancing through the vege patch "是编舞家格雷戈里-洛伦祖蒂（Gregory Lorenzutti）撰写的一篇艺术家随笔，为读者提供了对 "Theatrum Botanicum "的反思：这是一个将舞蹈与城市整体农业相结合的跨学科项目，于 2022 年委托墨尔本大学维多利亚艺术学院（VCA）舞蹈表演艺术学士学位三年级学生进行创作。格雷戈里-洛伦祖蒂（Gregory Lorenzutti）从《Theatrum Botanicum》创作前、创作中和创作后的一系列访谈中，深入探讨了知识生产、基于地方的舞蹈教学法和跨学科实践之间的关系，并特别关注其在高等教育中的作用。在此过程中，洛伦祖蒂揭示了创造性方法如何在学科和艺术形式之间滑动，从而激活实践并深化身体、空间和地点之间的关系。这篇艺术家论文是在一系列对话中产生的，旨在通过跨学科的舞蹈实践，更好地传递学习的身体和情感层面。

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Dancing through the vege patch

‘Dancing through the vege patch’ is an artist essay in the voice of choreographer Gregory Lorenzutti that provides readers with a reflection on Theatrum Botanicum: an interdisciplinary project which combined dance and holistic urban farming, commissioned for the third year Bachelors of Fine Arts in dance performance at the Victoria College of the Arts (VCA), University of Melbourne, 2022. Drawn from a series of interviews conducted before, during and after the creation of Theatrum Botanicum; choreographer, photographer and urban farmer, Gregory Lorenzutti provides insights into the relationship between knowledge production, place-based dance pedagogy and interdisciplinary practice with a particular focus on its role in tertiary education. In doing so, Lorenzutti reveals how creative methodologies can slip between disciplines and artistic forms to invigorate practice and deepen the relationship between body, space and place. This artist essay – emerging in and through a series of conversations – seeks to better transmit the embodied and affective dimensions of learning through interdisciplinary practices in dance.

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来源期刊

Choreographic Practices DANCE-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.