权力与异议的修辞学:米开朗基罗和 1000 份美第奇手稿

Dijana O. Apostolski
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引用次数: 0

摘要

这篇文章将劳伦森图书馆的前庭装饰,尤其是使人移位和困惑的装饰对立面,作为早期现代建筑修辞学的理论依据,探讨了建筑设计是如何构建与表达、口才、影响力和权力相关的社会规范的。我将劳伦森图书馆及其美第奇手稿收藏视为使人们对美第奇家族的贵族身份和霸道政治身份的看法合法化的工具。为了让图书馆成为权力的工具,我追溯了美第奇手稿的运输路线--这条路线推动了劳伦森图书馆的设计和建造--最后,我以米开朗基罗的 "括号 "为重点,对前庭的修辞手段进行了反思。随着书籍从佛罗伦萨到罗马,再回到佛罗伦萨,研究还指出了圣马可修道院和圣洛伦索修道院、佛罗伦萨政府以及美第奇家族之间的关系,美第奇家族试图通过上帝来定位和证明他们对佛罗伦萨的主权。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rhetorics of Power and Dissent: Michelangelo and a 1000 Medici Manuscripts
Theorizing the Laurentian Library’s vestibule ornamentation, particularly the ornamental antithesis that displaces and perplexes, as early modern architectural rhetoric, this essay examines how architectural design constructed societal norms pertaining to articulation and eloquence, influence, and power. I frame the Laurentian Library and its Medici manuscript collection as apparatuses that legitimized perceptions of the Medici’s nobility and overbearing political identity. To get to the library as an instrument of power, I trace the route of the Medici manuscripts –that instigated the design and construction of the Laurentian Library– and conclude by reflecting on the vestibule’s rhetorical devices with a focus on Michelangelo’s "brackets." Following the books from Florence to Rome and back to Florence, the study also points to the relations between the San Marco and San Lorenzo monasteries, the Florentine government, and the Medici, who sought to position and vindicate their sovereignty over Florence via God.
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