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引用次数: 0
摘要
本文介绍的是 16 和 17 世纪出版的罗马版画画册。画册展示了意大利从古代到巴洛克时期对古建筑和雕塑的各种使用。但画册的最后一个对开页包含了一幅在罗马出版的埃斯科里亚尔版画,该版画是佩德罗-佩雷特(Pedro Perret)为马德里出版的胡安-德-埃雷拉(Juan de Herrera)的《埃斯坦帕斯》(Estampas)所作的著名同题材版画的复制品。文章从最后这幅版画的角度分析了这本意大利画册中的版画集,认为这一系列图像以意大利读者易于理解的方式将埃斯科里亚尔打造成了既是西班牙又是基督教的古代建筑。
Genealogies of Spanish Architectural Knowledge in Roman Print
This article is about an album of Roman prints published during the 16th and 17th centuries. The album shows the various uses of antique architecture and sculpture in Italy, from antiquity to the Baroque. But the last folio of the album contains a print of El Escorial published in Rome that is a copy of the famous print of the same subject by Pedro Perret, made for Juan de Herrera's Estampas published in Madrid. The article analyzes the collection of prints in the Italian album from the point of view of this final plate, proposing that the sequence of images establishes El Escorial as an antiquity that is both Spanish and Christian in a way that Italian audiences would easily understand.