凡尔赛宫建筑形式的现象学

M. Dymchenko
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引用次数: 0

摘要

文章将凡尔赛宫和公园建筑群的建筑形式演变视为一种单一的空间艺术体验,并对其进行了描述。文章从西欧建筑的总体趋势--洛可可风格在巴洛克风格的建筑学和构图的怀抱中的出现和发展--的角度,对凡尔赛宫的布局和结构的变化进行了思考,巴洛克风格从意大利风格的古典巴洛克演变为洛可可风格和早期古典主义的纯粹民族传统。这构成了主体体验的独特语义空间。作者将建筑造型内容的变化理解为 "宫廷 "式社会独特空间结构、社会文化纽带和关系的形成过程,以及从巴洛克神话般的专制主义戏剧性到革命前几十年私人住宅结构的逐步演变过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Versailles: The phenomenology of architectural form
The article identifies and describes the evolution of the architectural form of the Versailles Palace and Park Ensemble as a single spatial artistic experience. The change in the layout and structure of the palace is considered from the point of view of the general trend of Western European architecture – the appearance and development of Rococo in the bosom of architectonics and composition created in the Baroque manner, which evolved from classical Baroque in the Italian style to the purely national tradition of Rococo and early classicism. This forms a unique semantic space of the subject’s experience. The author formulates conceptual understanding of the change in the content of architectural form-making as a process of the constitution of the unique spatial structure of the “court” type of society, socio-cultural ties and relations and its gradual evolution from the Baroque mythologized theatricality of absolutism to the private type of structuration of the dwelling of the pre-revolutionary decades.
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