在欧洲成为黑人意味着什么 莱奥诺拉-米亚诺的话和舞台上的非洲主义

Donato Lacirignola
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引用次数: 0

摘要

在非洲后裔日益意识到自己在法国社会中的地位的背景下,本文探讨了莱奥诺拉-米亚诺的多面性作品如何将 "非洲 "这一概念融入其中,以挫败身份分配并勾勒出一种后帝国主义的世界观。在 2021 年由 Stanislas Nordey 演出的《Ce qu'il faut dire》中,我们看到了这些问题如何产生了 "关系诗学 "的理念,最终呼吁人们认识到法国的多重性,不再局限于六边形,而是真正的群岛,从而超越肤色的束缚。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ce qu’il faut dire lorsqu’on est noir·e en Europe Les mots de Léonora Miano et l’afropéanisme sur scène
In the context of the growing awareness among Afro-descendants of their place in French society, this article examines the way in which Léonora Miano’s multifaceted work invests the notion of Afropéa with a view to thwarting identity assignments and sketching out a post-imperial vision of the world. In Ce qu’il faut dire, staged by Stanislas Nordey in 2021, we see how these issues give rise to the idea of a Poetics of Relation, culminating in a call to recognise the multiple nature of a France that is no longer reduced to its hexagon, but is indeed archipelagic, in order to move beyond the straitjacket of colour.
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