血统,语言:水是时间机器》中的档案编造

Carla Miguelote, Lucia Ricotta
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引用次数: 0

摘要

文章研究了阿琳-莫塔在《水是时光机》(2022 年)中的艺术和政治寓言。利用档案材料,她的语言重现了 "以其他方式创作的诗歌"(Perloff,2010 年)。另一方面,她对自身血统的研究与巴西黑人生活的历史交织在一起,指向了其他的创作视野。在与莱达-马丁斯(Leda Martins)对 "螺旋式上升的时间 "的思考、赛迪亚-哈特曼(Saidiya Hartman)对 "批判性编造 "的思考以及玛丽琳-斯特拉森(Marylin Strathern)对当代亲属关系研究的思考的对话中,我们观察到这位艺术家是如何将其母系谱系幻化的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lineage, Language: Archival Fabulations in Water is a Time Machine
The article investigates Aline Motta’s artistic and political fabulation in Water is a Time Machine (2022). Making use of archive materials, her language reenacts “poetry by other means” (Perloff 2010). On the other hand, her research on her own lineage, which intertwines with the history of black lives in Brazil, points to other horizons of invention. In dialogue with reflections by Leda Martins on ‘spiraling time’, by Saidiya Hartman on ‘critical fabulation’ and by Marylin Strathern on contemporary kinship studies, we observe how the artist performs a phantomalization related to her matrilineal genealogy.
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