{"title":"葡萄牙留声机公司的早期录音（1900-1908 年）和葡萄牙留声机市场的建立","authors":"Joao Silva","doi":"10.5209/cmib.88444","DOIUrl":null,"url":null,"abstract":"My article strives to study phonography in Portugal between the 1900 recording sessions for The Gramophone Company and the company’s first significant Portuguese catalogue, printed in December 1908. I aim to trace the transformations undertaken in the discs and repertoires along with their segmentation during the first decade of Portuguese phonography, with the establishment of a phonographic market in the country.","PeriodicalId":504433,"journal":{"name":"Cuadernos de Música Iberoamericana","volume":"46 11","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Early Portuguese recordings for The Gramophone Company (1900—1908) and the establishment of a phonographic market in Portugal\",\"authors\":\"Joao Silva\",\"doi\":\"10.5209/cmib.88444\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"My article strives to study phonography in Portugal between the 1900 recording sessions for The Gramophone Company and the company’s first significant Portuguese catalogue, printed in December 1908. I aim to trace the transformations undertaken in the discs and repertoires along with their segmentation during the first decade of Portuguese phonography, with the establishment of a phonographic market in the country.\",\"PeriodicalId\":504433,\"journal\":{\"name\":\"Cuadernos de Música Iberoamericana\",\"volume\":\"46 11\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cuadernos de Música Iberoamericana\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5209/cmib.88444\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cuadernos de Música Iberoamericana","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5209/cmib.88444","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Early Portuguese recordings for The Gramophone Company (1900—1908) and the establishment of a phonographic market in Portugal
My article strives to study phonography in Portugal between the 1900 recording sessions for The Gramophone Company and the company’s first significant Portuguese catalogue, printed in December 1908. I aim to trace the transformations undertaken in the discs and repertoires along with their segmentation during the first decade of Portuguese phonography, with the establishment of a phonographic market in the country.
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