{"title":"雅库特爱乐乐团普及人类非物质文化遗产代表作的活动","authors":"T. V. Pavlova-Borisova","doi":"10.25587/2587-8778-2023-4-128-134","DOIUrl":null,"url":null,"abstract":"The article considers the popularization of the masterpieces of the intangible cultural heritage of humanity by the State Philharmonic of the Sakha Republic (Yakutia) within the framework of the concert programs of two international festivals: “UNESCO Masterpieces on the Land of Olonkho” and the Arctic Music Festival “Northern Lights”, as well as the educational activities of this institution, which is an outpost of the concert academic performance in the North-East of the Russian Federation and its Arctic zone. Based on the analysis of activities of the Yakutia Philharmonic to popularize the masterpieces of the intangible cultural heritage of humanity, it was concluded that at present attention has been paid mainly to foreign examples of intangible cultural heritage – the music of the Armenian duduk, the music of the Azerbaijani tar, Spanish flamenco, Argentine tango in modern concert forms of their expression. Work to popularize the music of the Yakut olonkho, proclaimed in 2005 as a masterpiece of the intangible cultural heritage of humanity, still remains to be done, since due to the special epic nature of the traditional genre, it has not yet been comprehended in the system of symphonic instrumentalism of the European tradition. New studies on this topic by representatives of the Yakut composer schools will make it possible for young performers to search for innovative forms and proper collaborations.","PeriodicalId":508010,"journal":{"name":"Vestnik of North-Eastern Federal University Series \"Economics Sociology Culturology","volume":"78 ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Popularization of the Masterpieces of the Intangible Cultural Heritage of Humanity by the Philharmonic of Yakutia\",\"authors\":\"T. V. Pavlova-Borisova\",\"doi\":\"10.25587/2587-8778-2023-4-128-134\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article considers the popularization of the masterpieces of the intangible cultural heritage of humanity by the State Philharmonic of the Sakha Republic (Yakutia) within the framework of the concert programs of two international festivals: “UNESCO Masterpieces on the Land of Olonkho” and the Arctic Music Festival “Northern Lights”, as well as the educational activities of this institution, which is an outpost of the concert academic performance in the North-East of the Russian Federation and its Arctic zone. Based on the analysis of activities of the Yakutia Philharmonic to popularize the masterpieces of the intangible cultural heritage of humanity, it was concluded that at present attention has been paid mainly to foreign examples of intangible cultural heritage – the music of the Armenian duduk, the music of the Azerbaijani tar, Spanish flamenco, Argentine tango in modern concert forms of their expression. Work to popularize the music of the Yakut olonkho, proclaimed in 2005 as a masterpiece of the intangible cultural heritage of humanity, still remains to be done, since due to the special epic nature of the traditional genre, it has not yet been comprehended in the system of symphonic instrumentalism of the European tradition. New studies on this topic by representatives of the Yakut composer schools will make it possible for young performers to search for innovative forms and proper collaborations.\",\"PeriodicalId\":508010,\"journal\":{\"name\":\"Vestnik of North-Eastern Federal University Series \\\"Economics Sociology Culturology\",\"volume\":\"78 \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Vestnik of North-Eastern Federal University Series \\\"Economics Sociology Culturology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.25587/2587-8778-2023-4-128-134\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vestnik of North-Eastern Federal University Series \"Economics Sociology Culturology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25587/2587-8778-2023-4-128-134","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Popularization of the Masterpieces of the Intangible Cultural Heritage of Humanity by the Philharmonic of Yakutia
The article considers the popularization of the masterpieces of the intangible cultural heritage of humanity by the State Philharmonic of the Sakha Republic (Yakutia) within the framework of the concert programs of two international festivals: “UNESCO Masterpieces on the Land of Olonkho” and the Arctic Music Festival “Northern Lights”, as well as the educational activities of this institution, which is an outpost of the concert academic performance in the North-East of the Russian Federation and its Arctic zone. Based on the analysis of activities of the Yakutia Philharmonic to popularize the masterpieces of the intangible cultural heritage of humanity, it was concluded that at present attention has been paid mainly to foreign examples of intangible cultural heritage – the music of the Armenian duduk, the music of the Azerbaijani tar, Spanish flamenco, Argentine tango in modern concert forms of their expression. Work to popularize the music of the Yakut olonkho, proclaimed in 2005 as a masterpiece of the intangible cultural heritage of humanity, still remains to be done, since due to the special epic nature of the traditional genre, it has not yet been comprehended in the system of symphonic instrumentalism of the European tradition. New studies on this topic by representatives of the Yakut composer schools will make it possible for young performers to search for innovative forms and proper collaborations.