汤普森诗歌中的日月形象

M. V. Semenikhina
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摘要

引言。本文对十九至二十世纪英国宗教诗人汤普森(F.H. Thompson)作品中描述月亮和太阳这两个重要神话的隐喻模式进行了分析。研究的相关性与人们对诗歌文本中作者个人世界观的表现日益增长的兴趣有关,也与俄罗斯语言学对 F.H. Thompson 作品的研究仍然很少这一事实有关。研究基于拉科夫和约翰逊的概念隐喻理论。研究的实证基础是 F.H. 汤普森的诗作《秋天的科伦布》。汤普森的诗歌 "A Corymbus for Autumn"、"Orient Ode"、"Ode to the Setting Sun"、"The Mistress of Vision"、"An Anthem of Earth"、"Sister Songs"、"From the Night of Forebeing"、"The Hound of Heaven"、"The Song of Hours"、"The Sere of the Leaf"、"The Dead Astronomer"、"Ad Amicam"、"Ad Castitatem"、"Love Declared"、"Of Nature:结果与讨论。分析表明,在 F.H. 汤普森的诗歌中,月亮和太阳的形象被对比为 "被动-主动"、"弱-强"、"贞洁-激情"、"冷-热"、"水-火",其次是 "死亡-生命"、"女性-男性 "和 "异教-基督教"。太阳是生命、美丽和诗歌灵感的源泉,此外,太阳在白天划过天空的运动有助于人们理解基督受难和复活的故事及其意义。月亮尽管冷酷无情,但在宇宙中也扮演着必要的角色(例如,控制自然周期,充当太阳和人类之间的中介)。月亮和太阳的形象完美地融入了汤普森诗歌的总体形象体系,作者试图在诗歌中塑造一个充满上帝存在的精神化宇宙形象。太阳是汤普森诗歌的核心形象,是一个积极主动的人物,经常被比作基督;月亮则较为被动,与异教和死亡联系更为紧密(但这并不意味着月亮的形象是消极的)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Images of the Moon and the Sun in the Poetry of F.H. Thompson
Introduction. The article considers the analysis of metaphorical models describing the Moon and the Sun, two key mythologems in the works of F.H. Thompson, a religious English poet of XIX-XX centuries. The research relevance is connected with the growing interest in the representation of the individual author's worldview in a poetic text and with the fact that the work of F.H. Thompson in Russian philology remains poorly studied.Methodology and sources. The research is based on the conceptual metaphor theory byLakoff and Johnson. The empirical basis of the study was the poems by F.H. Thompson “A Corymbus for Autumn”, “Orient Ode”, “Ode to the Setting Sun”, “The Mistress of Vision”, “An Anthem of Earth”, “Sister Songs”, “From the Night of Forebeing”, “The Hound of Heaven”, “The Song of Hours”, “The Sere of the Leaf”, “The Dead Astronomer”, “Ad Amicam”, “Ad Castitatem”, “Love Declared”, “Of Nature: Laud and Plaint”, “Nocturn”, “Assumpta Maria”, “To a Poet Breaking Silence”, “Arab Love-Song”, “Victorian Ode”.Results and discussion. The analysis revealed that in F.H. Thompson's poetry the images of the Moon and the Sun are contrasted as “passive – active”, “weak – strong”, “chastity – passion”, “cold – heat”, “water – fire”, to a lesser extent “death – life”, “female – male” and “pagan – Christian”. The Sun is a source of life, beauty and poetic inspiration, and, in addition, the movement of the Sun across the sky during the day helps people to understand the story of Christ’s death and resurrection and its sense. The Moon, despite its coldness and passivity, also plays a necessary role in the universe (for example, controlling natural cycles and acting as an intermediary between the Sun and mankind).Conclusion. The images of the Moon and the Sun fit seamlessly into the general system of images of Thompson's poetry, in which the author seeks to create an image of a spiritualized Universe filled with the presence of God. The Sun is the central image of Thompson's poetry, an active character, often likened to Christ; the Moon is more passive and more strongly associated with paganism and death (which, however, does not make its image negative).
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