{"title":"帕斯卡尔笔谈中的表演诗学(表演性是解决帕斯卡尔笔谈艺术性问题的一种方法)","authors":"Oleksandr Yudin","doi":"10.31649/sent01.01.233","DOIUrl":null,"url":null,"abstract":"The author notes that Pascal, given the peculiarities of the publication and translation of his works, existed in the minds of readers rather as a literary phenomenon. Such an attitude dominated primarily in France, where Pascal's work was undoubtedly considered to be the sphere of interest of philologists and literary critics. But serious scholar interest in Pascal was practiced only in the field of philosophy. Philologists, on the other hand, gave Pascal a place mainly in historical surveys of French classicism and moralistic literature. This ambivalence is not least due to the ambivalence of Pascal's own attitude to philosophy. The author concludes that Thoughts is not just an unfinished work, but also a collection of fragments that were originally created as fragments. Thus, we may consider two strategies of reading Thoughts, neither of which is dominant, as well as about the genre ambiguity of this work.","PeriodicalId":37673,"journal":{"name":"Sententiae","volume":" 12","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The poetics of performativity in Pascal's Pensées (performativity as an approach to the problem of artistry of Pascal's Pensées)\",\"authors\":\"Oleksandr Yudin\",\"doi\":\"10.31649/sent01.01.233\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The author notes that Pascal, given the peculiarities of the publication and translation of his works, existed in the minds of readers rather as a literary phenomenon. Such an attitude dominated primarily in France, where Pascal's work was undoubtedly considered to be the sphere of interest of philologists and literary critics. But serious scholar interest in Pascal was practiced only in the field of philosophy. Philologists, on the other hand, gave Pascal a place mainly in historical surveys of French classicism and moralistic literature. This ambivalence is not least due to the ambivalence of Pascal's own attitude to philosophy. The author concludes that Thoughts is not just an unfinished work, but also a collection of fragments that were originally created as fragments. Thus, we may consider two strategies of reading Thoughts, neither of which is dominant, as well as about the genre ambiguity of this work.\",\"PeriodicalId\":37673,\"journal\":{\"name\":\"Sententiae\",\"volume\":\" 12\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sententiae\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31649/sent01.01.233\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sententiae","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31649/sent01.01.233","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
The poetics of performativity in Pascal's Pensées (performativity as an approach to the problem of artistry of Pascal's Pensées)
The author notes that Pascal, given the peculiarities of the publication and translation of his works, existed in the minds of readers rather as a literary phenomenon. Such an attitude dominated primarily in France, where Pascal's work was undoubtedly considered to be the sphere of interest of philologists and literary critics. But serious scholar interest in Pascal was practiced only in the field of philosophy. Philologists, on the other hand, gave Pascal a place mainly in historical surveys of French classicism and moralistic literature. This ambivalence is not least due to the ambivalence of Pascal's own attitude to philosophy. The author concludes that Thoughts is not just an unfinished work, but also a collection of fragments that were originally created as fragments. Thus, we may consider two strategies of reading Thoughts, neither of which is dominant, as well as about the genre ambiguity of this work.
期刊介绍:
Sententiae is historico-philosophical open access journal. Journal created by Modern philosophy''s research group (Pascalian society). Founded in 2000. Published twice a year, in June and December. Our purpose is to foster the development of a wide gamut of contemporary approaches, active implementation of them into research practice, and establishment of high standards of teaching philosophy basing on the achievements of contemporary history of philosophy. Our key priority is to ensure the empirical substantiation of historico-philosophical conceptions, basing on the criteria of literality, exhaustivity, contextuality and taking into account the existing speculative interpretations. Jean-Luc Marion was the first to formulate this set of criteria in 1998 as the main features of contemporary researches of Descartes''s philosophy. We regard these principles as the methodological background of any substantiated research method in the history of philosophy. Publishing materials on all historico-philosophical topics, we pay special attention to researches in terminology, issues of philosophical translation and untranslatability, manuscript researches (including handwritten heritage of Kyiv-Mohyla Academy professors of ХVІІ–ХVІІІ century), and cover the development of large-scale projects in this area. We also publish new bilingual and commented Ukrainian translations of classical foreign philosophical texts. Among our priorities there is also a coverage of the history of philosophical thought in Ukraine and other Eastern European countries and its relations to the wider cultural context (theology, literature, natural sciences, political ideology etc). The content of each issue is distributed according to Genre Sections and Thematic Headings. Currently there are 10 Genre Sections.