崔仁勋小说中的叙事情境和自我反思的现实层面研究:以崔仁勋的作品为中心

Kyungsil Jang
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引用次数: 0

摘要

本论文试图解释崔仁勋短篇小说的叙事情况,可以说这是一部归程形式的小说。在这种情况下,作品的重点是出发前和返回后的内心变化或反思。而这个过程是用叙事的方法来表达的。这主要运用了一种被称为自由间接话语的叙事方法,展现了自我反思以构建新自我的过程。 自由间接叙事法的意图在于,当人物的思想感情插入叙述者的叙述或叙述者的声音介入时所表现出来的效果。这样做的作用是让读者捕捉个人内心与世界的关系过程。例如,自由间接话语所产生的效果,不仅让沙漠、修剪指甲和耶稣等象征性符号,也让梦境和幻觉等无意识现象成为反思机制。崔仁勋这样的叙事风格源于他对现实的感知,他试图用个人内心的想法或行动来回应现实,而不是直接干预现实。因此,识别自我反思的工作与理解崔仁勋的意识形态有关,他的意识形态是有方法和习惯的现实。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Study on Realated Aspects of Narrative Situation and Self-Reflection in Choi In-Hoon's Novels: Focusing on by Choi In-hoon
This thesis attempted to explain the narrative situation of Choi In-hoon’s short story can be said to be a novel that falls into the form of a return journey. In this case, the work focuses on internal changes or reflections before leaving the journey and after returning. And the process is conveyed in the narrative method. That is the main use of a narrative method called free indirect discourse, and shows the process of self-reflection to construct a new self. What the free indirect discourse method intends in is the effect manifested when the character’s thoughts and feelings are inserted into the narrator’s narration or when the narrator’s voice intervenes. This serves the function of allowing the reader to capture the process of how an individual’s inner self relates to the world. For example, free indirect discourse is creating an effect that allows now only symbolic signs such as the desert, trimming nails, and Jesus, but also unconsciousness such as dreams and hallucinations to operate as a mechanism for reflection. Choi In-hoon’s narrative style like this stems from his perception of reality, which tries to respond with thoughts or actions that develop inside the individual rather that directly intervening in reality. For this reason, the work of identifying self-reflection is related to understanding Choi in-hoon’s ideality as a reality with methods and customs.
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