在虚拟环境中保存临时展览:Ulisse Aldrovandi 的数字文艺复兴 - 文化遗产物品的获取和数字化

Q1 Social Sciences
Roberto Balzani , Sebastian Barzaghi , Gabriele Bitelli , Federica Bonifazi , Alice Bordignon , Luca Cipriani , Simona Colitti , Federica Collina , Marilena Daquino , Francesca Fabbri , Bruno Fanini , Filippo Fantini , Daniele Ferdani , Giulia Fiorini , Elena Formia , Anna Forte , Federica Giacomini , Valentina Alena Girelli , Bianca Gualandi , Ivan Heibi , Luca Vittuari
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引用次数: 0

摘要

根据 "变革 "项目的目标,特别是其关于在博物馆和艺术收藏中使用虚拟技术的专题子项 目,我们的目标是获得名为 "另一个文艺复兴 "的乌利塞-阿尔德罗万迪临时展览的数字孪 生件,并使用户可以在线访问。在对展览进行了初步研究,重点研究了获取限制和相关解决方案之后,我们通过获取、处理、建模、优化、导出和元数据化,着手创建数字孪生。我们混合使用了两种采集技术来创建新的数字文化遗产对象和环境,并使用开放技术、格式和协议来提供最终数字产品。在此,我们将介绍书目展览(元)数据的收集和整理过程,以及数字孪生创建的开端,以促进其可查找性、可访问性、互操作性和可重用性。数字孪生的创建工作目前正在进行中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Saving temporary exhibitions in virtual environments: The Digital Renaissance of Ulisse Aldrovandi – Acquisition and digitisation of cultural heritage objects

As per the objectives of Project CHANGES, particularly its thematic sub-project on the use of virtual technologies for museums and art collections, our goal was to obtain a digital twin of the temporary exhibition on Ulisse Aldrovandi called “The Other Renaissance”, and make it accessible to users online. After a preliminary study of the exhibition, focusing on acquisition constraints and related solutions, we proceeded with the digital twin creation by acquiring, processing, modelling, optimising, exporting, and metadating the exhibition. We made hybrid use of two acquisition techniques to create new digital cultural heritage objects and environments, and we used open technologies, formats, and protocols to make available the final digital product. Here, we describe the process of collecting and curating bibliographical exhibition (meta) data and the beginning of the digital twin creation to foster its findability, accessibility, interoperability, and reusability. The creation of the digital twin is currently ongoing.

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来源期刊
CiteScore
5.40
自引率
0.00%
发文量
33
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