融合残疾研究、艺术教育和博物馆教育

A. Woodruff
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引用次数: 0

摘要

许多博物馆被批判为精英机构,很少提供包容性服务来满足边缘化人群和社区的需求和兴趣(Hill,2016;Sandell & Nightingale,2013)。然而,一些博物馆正在转向以参观者为中心的方法,重新将工作重点放在参观者的需求和兴趣上,而不是展示的物品上(Love & Boda, 2017; Weil, 1999)。有发育障碍的成年参观者往往仍被博物馆所忽视,因此需要增加博物馆项目。本作品是一篇文献综述,首先仔细研究了残疾研究提供的概念框架,然后介绍了残疾研究与艺术教育以及针对发育障碍人士的包容性艺术创作之间的关系。接下来,该综述概述了与发育障碍相关的文献,并特别关注发育障碍成人及其可选择的娱乐方式。最后,文献综述深入探讨了博物馆体验和以游客为中心的博物馆教育。通过融合残疾研究、艺术教育和博物馆教育方面的最佳实践,博物馆可以创建所需的包容性节目,并与新观众建立联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Blending of Disability Studies, Art Education, and Museum Education
Many museums have been critically characterized as elitist institutions that offer few inclusive services to meet the needs and interests of marginalized populations and communities (Hill, 2016; Sandell & Nightingale, 2013). Some museums, however, are turning to visitor-centered approaches that refocus their efforts to concentrate on the needs and interests of visitors instead of the objects on display (Love & Boda, 2017; Weil, 1999). One population often still overlooked by museums are adult visitors with developmental disabilities, thus the need for increased museum programming. This work represents a literature review that begins with a close examination of conceptual frameworks provided by disability studies, followed by how disability studies relates to art education and inclusive art-making for individuals with developmental disabilities. Next, the review presents an overview of literature related to developmental disabilities, with a specific focus on adults with developmental disabilities and recreational options available to them. Finally, the literature review delves into the museum experience and visitor-centered museum education. By blending best practices in disability studies, art education, and museum education, museums are primed to create needed inclusive programming and connect with new audiences.
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