教育环境中的业余交响乐表演:19 世纪 80-90 年代哈尔科夫大学的学生交响乐团

Lichuan Zhang
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引用次数: 0

摘要

本出版物旨在确定 19 世纪 80-90 年代哈尔科夫大学学生交响乐团在业余交响乐演出方面的具体运作情况。研究方法在研究哈尔科夫大学交响乐团活动的过程中,采用了比较分析的方法,从而揭示了乐团曲目发展和音乐会实践的特殊性。在应用系统性原则的框架内确定了乐团领导团队的工作特点。结果。根据对 19 世纪 80 年代至 20 世纪初哈尔科夫报刊资料的分析,研究了由著名职业音乐家 S. 涅梅茨、A. von Glen 和 S. Dochevskyi 领导的哈尔科夫大学学生交响乐团的具体运作情况。结果表明,业余交响乐团的演出活动受到了大学教育过程特殊性的影响,这既造成了一定比例乐团成员的年度更新,也造成了排练过程的长时间中断。在 S. Nemetz(1881-1885 年)和 A. von Glen(1889-1900 年)的领导下,大学音乐集体达到了交响乐团的器乐创作标准;通过邀请哈尔科夫剧院的专业乐团演员和当地业余音乐家,确保了音乐再现的质量。这一时期乐团的演奏水平使其能够在哈尔科夫的主要音乐会场成功演奏 L. 贝多芬、K. M. 韦伯、F. 门德尔松、R. 瓦格纳等人的交响乐作品。在 S. Dochevskyi 领导大学交响乐团期间(19 世纪 90 年代至 20 世纪),音乐会活动逐渐减少,仅限于偶尔参加大学庆典和教育机构学生组织的慈善活动。科学新颖性。事实证明,1880 和 1890 年代哈尔科夫大学业余交响乐团在受过学术音乐艺术美学原则教育的音乐家领导下运作的特殊性取决于他们履行乐队指挥职能的质量。S. Nemetz 和 A. von Glen 试图组成一个符合音乐团队学术标准的管弦乐队,他们提供了交响乐器乐作品和演奏质量,让专业音乐家参与音乐会演出。在 S. Dochevskyi 领导期间,学生交响乐团的音乐会实践仅限于大学活动,这导致在纯粹为业余学生提供器乐作曲的过程中,演奏技能和方向水平逐渐下降。实际意义。对十九世纪下半叶乌克兰文化中心业余交响乐团运作的具体情况进行研究,具有进一步研究的前景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Amateur symphonic performance in an educational environment: the student orchestra of Kharkiv University in the 1880s — 1890s
The purpose of the publication is to determine the specifics of the functioning of the student orchestra of Kharkiv University in the 1880s — 1890s in the context of amateur symphonic performance. The methodology. In the process of studying the activity of the orchestra of Kharkiv University, the approach of comparative analysis was applied, thanks to which the peculiarities of developing the repertoire and concert practice of the team were revealed. Determination of the specifics of work with the team of orchestra leaders was carried out within the framework of the application of the systematicity principle. The results. Based on the analysis of the materials of the Kharkiv press of the 1880s — early 1900s, the specifics of the functioning of the Kharkiv University student orchestra, led by prominent professional musicians S. Nemetz, A. von Glen and S. Dochevskyi, is investigated. It was determined that the performance activity of the amateur orchestra was influenced by the specifics of the educational process at the university, which caused both the annual renewal of a certain percentage of orchestra members and long breaks in the rehearsal process. During the leadership of S. Nemetz (1881–1885) and A. von Glen (1889–1900), the university music collective met the standards of the instrumental composition of a symphony orchestra; the quality of music reproduction was ensured by inviting professional orchestra performers of Kharkiv theaters and local amateur musicians. The level of performance of the orchestra of that period made it possible to successfully perform symphonic music by L. Beethoven, K. M. Weber, F. Mendelssohn, R. Wagner, etc. at leading concert venues in Kharkiv. During the leadership of the university orchestra by S. Dochevskyi (1890s — 1900s), the concert activity gradually reduced, being limited to episodic participation in university celebrations and charity events organized by students of the educational institution. The scientific novelty. It has been proven that the specificity of the functioning of the amateur symphony orchestra of Kharkiv University during the 1880s and 1890s under the leadership of musicians educated on the aesthetic principles of academic musical art is determined by the quality of their performance of the bandmaster functions. S. Nemetz and A. von Glen, who sought to make up an orchestra that meets academic standards of a musical team, provided a symphonic instrumental composition and performance quality, involving professional musicians into concert performances. The limitation of concert practice of the student orchestra during the leadership of S. Dochevskyi to university events led to a gradual decrease in the level of performance skills and orientation in the process of providing the instrumental composition purely to amateur students. The practical significance. Prospects for further research are related to the study of the specifics of the functioning of amateur orchestra groups in the cultural centers of Ukraine in the second half of the XIX century.
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