将现象学作为观察当代艺术设计中丑陋美学的一种方法

Al-Academy Pub Date : 2023-12-15 DOI:10.35560/jcofarts1307
Tahani Mohammad Nasser AL-Arifi
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引用次数: 0

摘要

它以描述和分析的方法,讨论了现象学的概念,将丑的美学视为当代艺术设计中与审美体验相关的概念之一,因为它是艺术创作与接受者之间沟通的结果,从而创造出一种审美愉悦的状态。由于美学中的 "丑 "从现象学的角度将 "美 "作为一种现代审美观点纳入其中,因此本研究采用现象学的方法来揭示 "丑 "的美学,并将 "丑 "与 "美 "联系起来。该研究将美学作为一种感知现象、感官知识,以及对当代艺术中以达到审美愉悦状态为代表的设计制作的审美反应进行研究,并运用现象学方法来看待当代设计中的丑的美学,丑的美学与当代设计制作中的审美体验之间存在关系,通过将现象学思想作为一种方法的影响转化为一种美学观念,达到了将现象学方法应用于以丑的美学视野进行鉴赏和批评的可能性。在新的分析阅读中建立更深入的设计视野,并在以事件艺术为起点、以具有技术效果的数字艺术为终点的设计研究和制作中,在其组成部分(意向性)方面有所建树。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Phenomenology as an approach to seeing the aesthetics of ugliness in contemporary art designs
With a descriptive and analytical approach, it discusses the concept of phenomenology as an approach to seeing the aesthetics of ugliness as one of the concepts associated with the aesthetic experience in contemporary art designs, as it is the result of communication between artistic production and the recipient, which leads to creating a state of aesthetic pleasure. A phenomenological method is used to uncover the aesthetics of ugly and to connect ugliness and beauty since ugliness in aesthetics incorporates beauty as a modern aesthetic vision from the phenomenological perspective. The study investigated aesthetics as a phenomenon of perception, sensory knowledge, and the aesthetic response to the production of designs in contemporary art, represented by achieving a status of aesthetic pleasure, and the phenomenological approach can be applied to see the aesthetics of ugliness in contemporary design, and there is a relationship between the aesthetics of ugliness and the aesthetic experience in producing contemporary design, and it reached the possibility of applying the phenomenological approach to appreciation and criticism with an aesthetic vision of ugliness, by transforming the influence of phenomenological thought as a method into an aesthetic concept. To build the design for a more in-depth vision in a new analytical reading, and to have a merit in the study and production of designs that began with the art of the event and ended as digital art with technical effects, with its components (intentionality).
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